Yup, that's her. She seems to have gotten over that shyness. She is
somewhat over the moon with the results of this shoot. And she loves
the duds so I can see some hard earned cash changing hands soon. :-)

Thanks, Bob!


On Fri, Jul 27, 2012 at 2:14 PM, Bob Sullivan <[email protected]> wrote:
>
> Bruce,
> Nice work.  I see you are using that model again.
> Wasn't she the one who was reluctant to pose?
> Regards,  Bob S.
>
> On Fri, Jul 27, 2012 at 12:07 PM, Bruce Walker <[email protected]>
> wrote:
> > For a fast look:  "She is deciding my fate" ...
> >
> > http://www.flickr.com/bruce_m_walker/7656572092/lightbox/
> >
> >
> > This gallery is of shots I did while helping my wife Louise on a
> > documentary project she's creating about a local store called the Trap
> > Door Boutique. The owner, Gabrielle Neveu, sells clothing and fashion
> > "for the artistic professional" in the Junction area of Toronto's west
> > end.
> >
> > This was a guerrilla shoot. We were operating within the boutique
> > during their open hours, working around customers who were mostly
> > bemused by our activity. (I think some came in because they were nosey
> > and saw the lights.) We were in and out in two and a half hours.
> >
> > I was providing lighting for Louise to do video footage of our model,
> > Marzi, getting crazy with the clothing that Gabbi was styling for us.
> > I was sneaking in and shooting stills as best I could. Since this was
> > for video I couldn't use flash, so I opted for a $30 garage
> > work-light, 2 by 250 watt tungsten halogen bulbs on a short stand,
> > that we had bought previously to try. To make this light less harsh
> > and have it come from above rather than casting upward shadows, I
> > added two light stands: one with a 44" silver reflector and the other
> > with a reflective umbrella. I then aimed the two 250 watt heads from
> > the work-light at each of the two reflectors.
> >
> > When I measured the light with my meter I discovered that 500
> > reflected watts doesn't actually go far. I was forced to shoot between
> > f:2.8 and f:3.5 at 800 ISO and shutter speeds between 1/30th and
> > 1/60th sec for the entire set. But the resulting light was unique and
> > interesting. It was nice to work with WYSIWYG light: easy to see where
> > shadows would fall and great for focussing.
> >
> > Tricky to work with the work lights though as they threw light
> > everywhere, so accidental direct light leaks and flare were hard to
> > avoid. I even had trouble with flare in the viewfinder! I just
> > accepted the harsh shadows in some cases as creative accidents. ;-)
> >
> > Then there's the heat: oh my gawd. Sweat was pouring off me. I also
> > was forced to shoot in close proximity to the light heads because we
> > were in a very confined space between the clothing racks, changing
> > booths and the cash desk.
> >
> > But despite all the restrictions, my keeper rate was astonishingly
> > high. Louise chose 248 out of 302 shots to graft into her doc footage.
> > I rejected many of those as too soft for me, and narrowed the keepers
> > down, but it's still a large number. The seven in this gallery are
> > just the extra-good ones that I've retouched first.
> >
> >
> > So here's the gallery. The first seven shots are from this recent
> > shoot (this past Wednesday), and the rest are from an art opening in
> > the same boutique last fall.
> >
> > http://www.flickr.com/bruce_m_walker/sets/72157630775756384/show/
> >
> > K20D, DA* 16-50/2.8 SDM, 800 ISO, f:2.8-3.5.
> > Lr 4.1, Ps 5.5
> >
> > Comments welcome!
> >
> > --
> > -bmw
> >
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