That looks promising, especially since the spyder 2 software only works with 
one monitor.


On Sep 28, 2012, at 7:39 AM, Bruce Walker wrote:

> Joseph, just before you disappear: save this link to look at after your move.
> 
> http://www.homecinema-fr.com/colorimetre-hcfr/hcfr-colormeter/
> 
> It's a free colorimeter package that supports the Spyder 2. I'm
> playing with it to calibrate my Blu-Ray / LCD projector combo.
> (Datacolor wants a lot of money for the LCD projector calibration
> upgrade.)
> 
> Best wishes for your move!
> 
> 
> On Fri, Sep 28, 2012 at 4:37 AM, Joseph McAllister <[email protected]> wrote:
>> If you stare at an iMac or possibly Apple monitor fro long, you will go 
>> blind. It is
>> 
>> bright. The problem lies in trying to match what you see to what you print. 
>> If you adjust an image to your liking with all that brightness, you end up 
>> with dark prints. Really dark prints. In my scatterbrained experience.
>> 
>> If the brightness is turned down "scientifically" keeping the color values 
>> the same relative to each other, you will be lightening the image to please. 
>> In 100% brightness, it would look too bright and you'd cut the exposure. 
>> Wrong thing to do. That's where Dark Adapted comes in. It lets you control 
>> multiple monitors, each calibrated to the same values, by dimming then 
>> together, or not, and attempting (some say poorly, but not me) to keep the 
>> same values for your color spectrum.
>> 
>> All I know for sure is 1. I love the monitor dimmed with no brilliant white 
>> blasting you in the face when you are not working images. 2. Whenever you 
>> change the monitor brightness, ganged or separately, a little grey block 
>> opens in the center of your screen with a red, green and blue dot, i … to 
>> just remind you that everything is ok, "I'm doing a good job for you."
>> 
>> Others on this list are way more into this, and may have different opinions, 
>> or different software, or hate Apple. I frankly have an older ColorVision 
>> Datacolor probe 2 ? that won't do two monitors. But all this touching on the 
>> subject pressured me into buying a new model 4 Pro yesterday, just as the 
>> chatter about AstroTracking forced me to buy a new Pentax GPS-1 unit the day 
>> before. Gotta lay off the PDML for a while and let the cards rest until I 
>> get settled into my new digs and play with my new toys.
>> 
>> Good Luck - over and out…
>> 
>> 
>> On Sep 27, 2012, at 17:13 , Christine Nielsen wrote:
>> 
>>> Thanks for your thoughts... I wonder about the Dark Adapted software...I'm 
>>> not familiar -  Do you find that you need that extra intervention to get 
>>> your monitor to a low enough brightness level?  Because you are working 
>>> mostly in the evenings, In the dark, I assume?  My editing is usually 
>>> during the daytime - until 3pm, when everybody comes back home, then the 
>>> party's over...
>>> 
>>> On Sep 27, 2012, at 2:28 PM, Joseph McAllister <[email protected]> wrote:
>>> 
>>>> I too have both an Apple iMac 24" glossy, and an HP mate screen. I got the 
>>>> HP thinking it would be better for image manipulation, or watching 
>>>> streaming movies while I worked. In fact, I work and watch movies on the 
>>>> iMac, using the HP for windows, email, genealogy.
>> 
>> 
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> 
> 
> 
> -- 
> -bmw
> 
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--
Larry Colen [email protected] sent from i4est





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