On Oct 4, 2012, at 2:56 PM, [email protected] wrote:

> That works very well for me in black and white. It now becomes a tremendous 
> performance photo.

Thanks.  I think it works better in black and white too. Thanks for the idea.  
It worked well enough in color that I originally went with that.  I've been 
criticized before for my tendency to undo the stage lighting in a lot of my 
photos.

Mostly it seems that the stage lighting is just done to bugger up anybody 
trying to video a performance, because having all the light at the red end of 
the spectrum bolloxes up the automatic metering, without actually doing 
anything to make things look better or more interesting.


> 
> Cheers,
> frank
> 
> "What can be asserted without proof can be dismissed without proof." -- 
> Christopher Hitchens
> 
> --- Original Message ---
> 
> From: Larry Colen <[email protected]>
> Sent: October 4, 2012 10/4/12
> To: "Pentax-Discuss Mail List" <[email protected]>
> Subject: Re: PESOs Hank and Cleveland, also Pops
> 
> 
> On Oct 3, 2012, at 3:57 PM, [email protected] wrote:
> 
>> I have problems with stage photos bathed in deep coloured spots, so due to 
>> that personal bias I don't feel qualified to comment on that first photo.
> 
> That is certainly not my favorite lighting either, which is why I converted 
> so many of the photos to black and white. I thought that this was one where 
> it worked, but your comment got me to thinking so I converted it to B&W also:
> 
> 
> http://www.flickr.com/photos/ellarsee/8052874461/in/set-72157631685232499/
> 
> I hope you like it a bit better.
> 
> 
>> 
>> The photo of Pops, on the other hand, is a magnificent portrait. Nice 
>> conversion, too.
> 
> Thanks a bunch.  It's a bit softer than I would have liked, but I think it 
> shows what a sweet man Pops is.
> 
>> 
>> Two thumbs up!
> 
> Thank you.
> 
>   Larry
>> 
> 
> --
> Larry Colen [email protected] sent from i4est
> 
> 
> 
> 
> 
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--
Larry Colen [email protected] sent from i4est





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