On Thu, Nov 1, 2012 at 10:49 PM, Tom C <[email protected]> wrote:
>
> I'm pained by the necessity to somehow adjust every image that I think
> meets my standards. Luckily or unluckily that's 1% or less of the
> images I take. It used to be zilch. I either made the shot or I
> didn't. There was no cropping, exposure adjustment, curves,
> saturation, etc.
>
> I think I've become a better photographer in the last decade. Have I,
> or is it just that I now have the ability to manipulate in a digital
> darkroom? Before Photoshop and film scanners I never would have
> dreamed of doing what I can now do. That was the bailiwick of film
> labs and professionals. I guess if that made THEM better
> photographers, in a sense, it does me as well. On the one hand I love
> the ability, yet on the other I despise the imposition, the innocence
> lost (likely perceived) of analog film, the WYSIWIG aspect for film
> photographers without access to a darkroom.

They are different processes, with different mindsets involved.  No
matter what lab technicians can/could do with your film, you took the
originals and composed the pictures.

If digital post processing is a cramping your style, how about
shooting JPG for a while and let the camera do the cooking.  Find
settings that give you results that you like and do that for a while.
There is no rule that says you must use RAW and do the post
processing.  Simplify.

> I'm not sure I'd ever have the patience, time, or funds for a wet
> darkroom, even though I can sense the allure.
>

I feel the same way about film, sadly.  I have about 50 rolls of
expired film that I've gotten from photo friends that I keep imagining
that I'll use for street shooting, but I imagine they'll go to waste.



> Tom C.
>
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-- 
David Parsons Photography
http://www.davidparsonsphoto.com

Aloha Photographer Photoblog
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