Yep, that's exactly what you posted a while back.  Thanks, Toine!  Cheers, 
Christine






On Nov 23, 2012, at 12:48 PM, Toine <[email protected]> wrote:

> With "normal" pano's the camera/lens is rotated in its optical nodal
> point. You moved the camera lens horizontally which creates a much
> nicer effect, it's also very difficult due to parallax errors if
> something is in the foreground. Compliments! I must try this myself.
> 
> If you don't have a tripod a simple string is the solution. Connect it
> to the camera on one end and create a sling on the other end. Put your
> foot in the sling and pull the string tight. If you use a spirit level
> like the ones which fit in the hotshoe your camera is always at he
> same height and level.
> 
> google string tripod for instance 
> http://www.instructables.com/id/String-Tripod/
> 
> Toine
> 
> On 23 November 2012 17:32, Christine Aguila <[email protected]> wrote:
>> Thanks Toine!
>> 
>> I used the 40mm pancake lens.  Settings were 1/100 sec at f11, ISO 80.  I 
>> started snapping at 5:03p and finished up almost 5:05p, Florida time, so I 
>> had some nice afternoon light.
>> 
>> My first shot was the frame with the tree in it, and I worked to the right, 
>> moving the camera horizontally, and overlapping each frame about 50%.  I 
>> read somewhere that's what you're supposed to do.  As best I could, when I 
>> moved to the right, I eyed a linear path to follow when moving down the 
>> street to take the frames.  I also made note of camera position and height 
>> and tried to repeat that from muscle memory as it were.  These frame were 
>> handheld since I wasn't traveling with a tripod.
>> 
>> After I was finished with the 5 shots of the art work, I decided to take the 
>> cafe on the left.  I took 3 pictures there, trying to get a good expression 
>> and placement of the women working in the cafe.  I really didn't have high 
>> hopes for that shot, since I snapped it out of sequence and didn't feel 
>> confident that I was close to the "linear line" I had followed for the 5 
>> frames, but I got a little lucky there.
>> 
>> When I tried to stitch these 6 frames in Photoshop, the interface made my 
>> black pickup on the far right into a convertible--yep, hood completely 
>> disappeared, and the back tire in the foreground had a chunk missing--as if 
>> some animal had taken a bite out of it.  So I decided on this 3 frame crop, 
>> which I did in Lightroom after importing the complete 6 frame pano at full 
>> size into Lightroom.
>> 
>> Actually, Toine, I have a question for you:  a while back didn't you share a 
>> string method for aligning the camera when doing panos?  I had saved that 
>> but I can't find it now. You wouldn't happen to have that information handy? 
>>  Willing to share again?  Please!  :-)
>> 
>> And to Dave Mann:  I went to PTGui, and watched one of their tutorial 
>> videos, which was excellent.  It helped me understand the process really 
>> well.  If I start doing panos regularly, I just may purchase the software.  
>> So thanks for the heads up.
>> 
>> And thanks to Rob, Paul, Jack and Dave B.!
>> 
>> Cheers, Christine
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> 
>> On Nov 23, 2012, at 7:51 AM, Toine <[email protected]> wrote:
>> 
>>> A very beautiful shot. I would have guessed it's a pano sized crop.
>>> 
>>> Which lens did you use? Did you move the camera horizontally for every shot.
>>> 
>>> On 23 November 2012 08:17, Christine Aguila <[email protected]> wrote:
>>>> Hi Everyone:
>>>> 
>>>> This should have been 6 frames long, but Photoshop Elements 11 crunched 
>>>> the pick-up that was far right.  lol.  Looked really funny.  But got a 
>>>> little lucky and was able to salvage some frames on the left.
>>>> 
>>>> Dave Mann's nice panos made me want to stitch this up a little sooner than 
>>>> I had planned.  Thanks for the inspiration, Dave, though this is no where 
>>>> near as nice as your recent set.
>>>> 
>>>> 
>>>> From a street in Little Havana.
>>>> 
>>>> http://www.caguila.com/miamipano/content/miamipano3_large.html
>>>> 
>>>> Cheers, Christine
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