Okay. Found it much easier to read by selecting the text on the web
page and pasting it into a source code editor, eliminating all the
annoying (and miserable) photographs.

Some of the points have some merit. Rather pompously presented,
unfortunately. Can't say I agree with everything in toto. His
expression gets in the way of the message.

Minor personal nit. I always have a bit of a problem when
photographers talk about composition and they are not doing studio
work. When you're making a drawing, a painting, etc, you're composing
something in the medium. With a camera in a studio, you are composing
scenes on a stage and then framing them—that's composition to me. In
the field with a camera, you're not composing anything: you're
*framing* what you see. It's a not-so-subtle difference.

Otherwise, eh? One person's thoughts and opinions, perfectly valid as
that. I'd like to see it discussed in a class on art appreciation. :-)

G


On Wed, Jan 9, 2013 at 12:54 PM, Bruce Walker <[email protected]> wrote:
> Apropos of a thread evolving into composition and learning it: Alain
> Briot has posted this article:
>
> http://www.lightstalking.com/15-thoughts-on-fine-art-photography-composition-by-alain-briot-with-photos
>
> If that URL breaks, try: http://goo.gl/Q2YGj
>
>
> Warnings:
>
> - you may want to avert your eyes from the included photos, which
> aren't particularly supportive of the main points in his article
> anyway.
>
> - some of you may gag on the phrase Fine Art. Just mentally swap in
> something like "non-documentary photography" whereever FA appears and
> the points will maintain their relevance.
>
>
> --
> -bmw
>
> --
> PDML Pentax-Discuss Mail List
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-- 
Godfrey
  godfreydigiorgi.posterous.com

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