Of course it's important to note that Tri-X at a stop or even 1.5 stops 
underexposed can still yield a pretty good image, since we're working with a 
negative. With the positive of a digital camera, we need to be pretty much 
right on. It's more like shooting transparency film.

On Mar 15, 2013, at 6:59 AM, Paul Stenquist <[email protected]> wrote:

> I still shoot iSO 400 film, and in terms of exposure values, it's virtually 
> identical to ISO 400 on my K-5. Perhaps you're shooting at different shutter 
> speeds and/or stops?
> 
> On Mar 15, 2013, at 4:49 AM, Bipin Gupta <[email protected]> wrote:
> 
>> I started off with 120 film rolls on TLRs to 35mm film on my trusted
>> Pentax K1000 SE and now to Pentax K20D & K-5 DSLRS. The fastest film I
>> used were 400 ASA back then, and were able to capture night scenes of
>> streets and motels with their colorful flashing neon lights pretty
>> bright and clear - camera hand held.
>> But with today's hi-tech DSLRs I need ISO 1200 to 1600 to capture the
>> same night scenes handheld. I agree I am an old fart now, but assuming
>> ASA = ISO (can I?), why this huge jump from 400 ASA to 1200 ISO in the
>> digital world for the same night scenes?? I am certain LEDs and neon
>> signs are brighter today then circa 1978 when I worked at GM Cleveland
>> and Hudson.
>> Can some kind PDMLer folks solve this mighty mystery for me?
>> With my humble Regards.
>> Bipin - from that far away enchanting land.
>> 
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