Hi Mark,

Thanks much. They're Kodachrome 64 transparencies. As I recall, the panning was 
pretty tough, and I didn't get that many good ones. I probably had to shoot at 
about 1/125th or 1.250th, as the track speed was probably about 180 mph at this 
location. Some shots might have been under yellow though.  Shot a bunch of 
Tri-X that week as well. I'll have to scan some if I run across it. I sent some 
of these to Doug Yates whose dad, Robert Yates, was Allison's engine man. Doug 
runs one of the big Nascar teams today, but he recalled being there as a wee 
kid when I was shooting these. I didn't know that. 

Paul


On Mar 29, 2013, at 12:25 AM, Mark C <[email protected]> wrote:

> Nice shots all around, Paul. Great panning work as well. No image 
> stabilization I assume... These are Kadachromes so they are ISO 200 or less?
> 
> Mark
> 
> On 3/25/2013 7:32 PM, Paul Stenquist wrote:
>> I went to Daytona with Bobby Allison and his crew to do a story for Motor 
>> magazine, a Hearst pub, in February of 1983.  Ingersoll Rand sponsored the 
>> trip. While there, I met a Bozell & Jacobs exec who handled the IR account. 
>> We talked, and within weeks I had left Hearst for the ad biz. It changed my 
>> life, for the better I think. Today I scanned some of the Kodachromes I shot 
>> in Daytona. The wides were with my Vivitar 20/3.5. The long lens track shots 
>> were with my Vivitar 200/3.5, which I think was showing the effects of 
>> having been wiped with a t-shirt too many times. But it was all a lot of fun.
>> 
>> http://photo.net/photodb/folder?folder_id=1050946
> 
> 
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