Stan,

I metered for the mid-ground wall (ISO 800, f/5.6@1/90).  Looking at the 
history in LR, I straightened, brought up the shadows, chose medium contrast 
from the curves window, brought down the highlights, set the black clipping 
down a bit, added some clarity.  The K-5 gives wonderful files.

Rick


 
http://photo.net/photos/RickW


----- Original Message -----
From: Stan Halpin <[email protected]>
To: Pentax-Discuss Mail List <[email protected]>
Cc: 
Sent: Tuesday, April 2, 2013 3:28 PM
Subject: Re: PESO - Inside the Louvre

Thanks for the question Bob, and thanks Rick for the explanation - I had been 
wondering the same thing.
I don't know how much work you had to do in postprocessing, but one of the 
things I find impressive about this, in addition to the strong use of the 
geometrics in the scene, is the amount of detail (for instance in the women on 
the escalator) despite the wide overall range of light/dark tones. It would 
have been so easy to have the darks block out . . .

stan

On Apr 2, 2013, at 2:40 PM, Rick Womer wrote:

> Thanks, Bob!
> 
> That renovated part of the Louvre is amazing.  The interaction of the 
> circular and linear elements in the space caught my eye immediately.  I spent 
> a few minutes scouting a good viewpoint, and then 5 or 10 minutes (and 
> several exposures) to get people in the "right" positions.  It was well 
> within the limits of spousal patience.
> 
> Rick
>  
> http://photo.net/photos/RickW
> 
> 
> ----- Original Message -----
> From: Bob Sullivan <[email protected]>
> To: Pentax-Discuss Mail List <[email protected]>
> Cc: 
> Sent: Tuesday, April 2, 2013 12:18 PM
> Subject: Re: PESO - Inside the Louvre
> 
> Rick,
> That's a special photo.  Perfect.
> It kept me looking and seeing.
> How difficult was it to work out that composition?
> Regards,  Bob S.
> 
> On Mon, Apr 1, 2013 at 8:38 PM, Rick Womer <[email protected]> wrote:
>> http://photo.net/photodb/photo?photo_id=17094512&size=lg
>> 
>> (K-5, DA 16-45)
>> 
>> Comments appreciated!
>> 
>> Rick
>> 
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