On Thu, May 09, 2013 at 11:33:03PM -0700, Tim Bray wrote:
> Approximately a thousand years ago, I did a lot of photo editing for a
> medium-size-university student newspaper. I remember the late nights
> in the darkroom, obsessing over the enlarger, which could do immensely
> less than Lightroom or equivalent can; but the visceral thrill of
> zooming out the extraneous from a couple of faces in Tri-X prints at

My lens choices were my 58/1.4, or my 58/1.4 with the 2x teleconverter.

I usually didn't have the option of framing things perfectly in the camera.
Almost all of my prints were cropped in the darkroom.

> the center of a story... well past midnight of course, the air thick
> with photochemicals and cannabis. I haven’t touched an enlarger this
> millennium but I can remember how it feels.  -T

I have.  Moving it around in storage.


> 
> On Thu, May 9, 2013 at 5:37 AM, Alan C <[email protected]> wrote:
> > Hear, hear! We couldn't afford to "waste" slides yet, when self processing
> > with the aid of an enlarger, cropping was almost a given.
> >
> > Alan C
> >
> > --------------------------------------------------
> > From: "George Sinos" <[email protected]>
> > Sent: Thursday, May 09, 2013 2:27 PM
> > To: "Pentax-Discuss Mail List" <[email protected]>
> > Subject: Re: OT Striking a blow for cropping
> >
> >
> >> I think the "no cropping" idea became popular when many photographers
> >> were shooting slide film.  The same goes for a lot of the more
> >> restrictive "get it right in the camera" stuff.
> >>
> >> You didn't crop because you couldn't. So you got it right in the camera.
> >>
> >> gs
> >> George Sinos
> >> --------------------
> >> www.GeorgesPhotos.net
> >> www.GeorgeSinos.com
> >>
> >>
> >> On Thu, May 9, 2013 at 1:11 AM, Tim Bray <[email protected]> wrote:
> >>>
> >>> I crop more or less 100%.  -T
> >>>
> >>> On Wed, May 8, 2013 at 9:04 PM, Walt <[email protected]> wrote:
> >>>>
> >>>> David & Paul took the words right out of my mouth.
> >>>>
> >>>> I crop my photos with an eye toward potentially printing in a standard
> >>>> aspect ratio. I do take pains to preserve as much as possible, but I'm
> >>>> far
> >>>> less concerned about drawing hoots from pixel-peepers than I am about
> >>>> presenting the shot in its best format.
> >>>>
> >>>> -- Walt
> >>>>
> >>>>
> >>>>
> >>>> On 5/8/2013 9:02 PM, David Parsons wrote:
> >>>>>
> >>>>>
> >>>>> If you do any kind of portraiture, you quickly learn to frame loose
> >>>>> and plan on cropping.  There's nothing worse than taking a group shot
> >>>>> and realizing that you can't crop it to 8x10.
> >>>>>
> >>>>> On Wed, May 8, 2013 at 9:59 PM, Paul Stenquist
> >>>>> <[email protected]>
> >>>>> wrote:
> >>>>>>
> >>>>>>
> >>>>>> I crop 60 to 70% of my photos. I frequently shoot with the intention
> >>>>>> of
> >>>>>> cropping at least a small amount. Better to leave a bit too much than
> >>>>>> a bit
> >>>>>> too little.
> >>>>>>
> >>>>>> Paul
> >>>>>>
> >>>>>>
> >>>>>> On May 8, 2013, at 8:09 PM, Bruce Walker <[email protected]>
> >>>>>> wrote:
> >>>>>>
> >>>>>>> Scroll down in this article and have a look at three famous images
> >>>>>>> before and after cropping to their published form. Amazing,
> >>>>>>> especially
> >>>>>>> the Arnold Newman pair: Picasso and Stravinsky.
> >>>>>>>
> >>>>>>> http://www.drkrishi.com/cropping
> >>>>>>>
> >>>>>>> Admittedly the extreme cases were probably only possible because of
> >>>>>>> being shot with a large format camera to begin with, but whatever.
> >>>>>>>
> >>>>>>> “I crop for the benefit of the pictures. The world just does not fit
> >>>>>>> conveniently into the format of a 35mm camera.” – W. Eugene Smith.
> >>>>>>>
> >>>>>>> --
> >>>>>>> -bmw
> >>>>>>>
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-- 
Larry Colen [email protected]  http://red4est.com/lrc


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