Gel might have helped. In lighting like this, flash is pretty much a
must. Otherwise the subject would be backlit something fierce.

On Fri, Aug 16, 2013 at 10:43 AM, Darren Addy <[email protected]> wrote:
> I wish I had Bruce's chops, so I hope this isn't taken the wrong way,
> but I have a great dislike of lighting that appears artificial. This
> is not to say that I condemn artificial lighting.
>
> It is just that the eye can just tell when something does not look
> natural (due to direction(s) or mixings of color temperature or out of
> balance exposure of the ambient or flash). This particular image
> reminds me of something that was briefly popular in professional
> photography studios in the 80's where the studio camera would be
> mounted behind a beam splitter (transmissive 45 degree mirror) while a
> slide projector was positionsed below and pointing straight up at the
> underside of the 45 degree mirror. The result was that the slide image
> was projected upon a screen made up of small round glass beads. The
> screen image could not be viewed from an angle but would reflect the
> image straight back at the camera. Thus you could light your subject
> without washing out the projected background on the screen. It was
> possible to photograph seniors in front of beaches in Tahiti, or
> Vermont barn settings or Iowa covered bridges. But because the studio
> lighting of the subject did not match the color temperature of the
> light of the projected scene (or the direction of that light) it
> looked so obviously "fake". If things weren't aligned properly or you
> worked at the wrong distance from the subject, you would also get the
> subject's shadow projected on the screen and they would be outlined by
> a dark line, separating them from the background which added even more
> to the artificiality. That particular technology did not last long,
> thank goodness.
>
> I may be a little weird in this regard, I don't know... but I even
> hate flash in macro shots when it is painfully obvious that flash was
> used. I think it  is much harder to do it well (to diffuse it
> properly, or to gel it so it is the right color) and I'm not going to
> claim to have mastered any of this stuff yet myself... it is just that
> as a consumer of images I'm very picky about the light. (You may not
> want to watch a movie with me for similar reasons).
> :)
>
>
>
> On Fri, Aug 16, 2013 at 9:12 AM, Zos Xavius <[email protected]> wrote:
>> Nice lighting. Good work!
>>
>> On Fri, Aug 16, 2013 at 10:09 AM, Bruce Walker <[email protected]> 
>> wrote:
>>> Thanks, Dan!
>>>
>>> On Fri, Aug 16, 2013 at 9:15 AM, Daniel J. Matyola <[email protected]> 
>>> wrote:
>>>> Nice use of the light, and a lovely, pensive expression.
>>>>
>>>> Dan Matyola
>>>> http://www.pentaxphotogallery.com/danieljmatyola
>>>>
>>>>
>>>> On Thu, Aug 15, 2013 at 7:17 PM, Bruce Walker <[email protected]> 
>>>> wrote:
>>>>> I took this portrait fully 30 minutes after sunset, looking west out
>>>>> onto Lake Ontario, with Port Credit's shoreline to the right (you can
>>>>> see faint lights from the jetty).
>>>>>
>>>>> http://flic.kr/p/fuZEPV
>>>>>
>>>>> I dragged the shutter just at the limit of usefulness: 1/20th
>>>>> handheld. I did not amp these colours in Lr or Ps; they are as taken.
>>>>> I did gel the flashes; that affected the blues.
>>>>>
>>>>> K20D, DA* 50-135/2.8 @ 80mm/f3.2, 1/20th sec, ISO 400; fully manual,
>>>>> including focus!
>>>>> 30" umbrella softbox with AF540FGZ, on monopod right. Bare AF540FGZ,
>>>>> handheld left.
>>>>> Lr + Ps.
>>>>>
>>>>> Comments welcome.
>>>>>
>>>>> --
>>>>> -bmw
>>>>>
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>>> --
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>>>
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>
>
> --
> "Photography is a Bastard left by Science on the Doorstep of Art" -
> Peter Galassi
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