Thanks for the comments. My next blog posts will be regarding some of
my musings with putting this camera into use:

I think it helps to think of this project as being more of a view
camera, than a solid-bodied camera. From a design standpoint, the most
important thing is that I be able to achieve infinity focus. In
practice, I may be using the hyperfocal distance with most of my
landscapes (the primary thing I expect to use this camera for).
Theoretically, one would hope that one could focus once then not touch
the focusing again as one slides the camera across for all 6 or 7
exposures. In practice however, it might be necessary to fine focus
between each segment's exposure. Whether live view will be sufficient,
or I will need to pop the Olympus Varimagni on the finder for focusing
assistance, remains to be seen. Regarding exposure, Fotodiox says to
expose each segment letting the camera control the exposure.  I'm not
sure if that will be good advice or not. Normally one is counselled to
lock the exposure across segments of a panorama or exposure
differences will occur. So that is one area where I expect a little
experimentation to be my final guide.

Regardless of the exposure method used, I plan to normally make a
series of bracketed exposures for each segment. The main "pain" is in
setting up the shot and the focus, so why not do some auto-bracketing
while I'm at each position? In addition to making sure I get the best
single exposure, the others could be used to create HDR panoramas if
the dynamic range of the scene exceeds that of the camera (and I mean
HDR in the most photo-realistic way possible. I normally HATE the
"dialed to 11" stuff that passes for HDR these days). I also think
that this could help in the sharpness department since, in addition to
a lot of total pixels you will have LAYERS of a lot of pixels for any
sharpening algorithm to work with.

I'm not an engineer, but I work with one who is a good friend at work
and generous with his advice. I've been mentally going through the
build process of this thing in my mind. I've made a decision regarding
the sliding tracks that the back plate will move on. You want the back
plane to slide smoothly across the entire length of the movement
(Goldilocks style: not too tight and not too loose). If  I bolt both
tracks on, the odds of getting that perfect placement are almost nil
(due to "manufacturing" errors). So I have decided to bolt the bottom
track on the backside of the front plate, but the top track will be
fine-adjustable and held on by an external clip which can be loosened
for adjustment and then tightened again to hold that adjustment. Once
correctly adjusted, this should not have to be messed with very often,
unless travel jostling or something knocks it out of alignment.

I hope to be going to Colorado at least once in the coming month, and
I'd love to have the HippoCam ready to take with me and put it to
work. I might make a solo trip out when the Aspens turn golden and
another one with my wife during her semester Fall Break.

On Wed, Aug 21, 2013 at 1:52 AM, mike wilson <[email protected]> wrote:
> On 20/08/2013, Darren Addy <[email protected]> wrote:
>
>> For those interested, I started a blog to post my progress:
>> http://pixelsmithysforge.blogspot.com/
>>
>> For those who wish to start at the beginning, here's the first post:
>> http://pixelsmithysforge.blogspot.com/2013/08/a-few-random-thoughts-about-fotodiox.html
>
> I, too, had the dribbles for one of the 6x17 machines but never could
> justify the considerable cost.  I'll be watching your prograss with
> interest.
>
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