Thanks Bruce.Had some sleep,feeling better now.I'm going up to the local
'chain' store this morning.I believe the have Fuji 1600 in stock.I can
atleast set the D1 at 1600 and view the shot on the lcd screen,see how it
will look.
The bass and sax player both work for a family marketing out fit and have
bought a new(model unknown)hi res scanner and they are both proficiant in
PS(i just know the basics to print the horsey stuf).I'll probably proof this
stuff and have them scan the better ones.
Equipment will be the Super Program/SF-1 and D1,flashes include the AF280T
and Vivitar 285HV.
This sounds like fun.i'll be there from noon until about 9 pm.This is
supposed to be the last of 3 recording sessions.
I'm looking forward to the challenge
Maybe i'll have to get them  to jump over somethings so i feel at home<G>

Dave
PS i'll contact you off list for those tips.
----- Original Message -----
From: "Butch Black" <[EMAIL PROTECTED]>
To: "Pentax discussion group" <[EMAIL PROTECTED]>
Sent: Saturday, April 06, 2002 12:20 AM
Subject: RE; Studio band info


> If you can find any, Konica 3200  should give you that grainy muted look.
> It's been discontinued so you may be stuck with Fuji 1600 (much sharper
and
> finer grained). If it's as dark as you think it's going to be I would not
> try to filter as you would loose too much speed. Overexpose a bit (1/2
stop)
> and ask the lab to color correct best as possible, or scan the negs and
> color correct in Photoshop (much better) I've got some good Photoshop
color
> correction tricks. Contact me off list if you need them.
>
> BUTCH
>
> "Each man had only one genuine vocation - to find the way to himself"
> Hermann Hesse (Demian)
> -
> This message is from the Pentax-Discuss Mail List.  To unsubscribe,
> go to http://www.pdml.net and follow the directions. Don't forget to
> visit the Pentax Users' Gallery at http://pug.komkon.org .
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