Like Paul, all the glass I actively use is DA* and Limited. If moire
is possible, I'd expect the DA 35/2.8 Macro or the DA* 50-135 to show
it, but I'm perfectly happy if the K-3 can out-resolve even those.
Just as long as I get more detail than the K-5's yield now.


On Wed, Oct 16, 2013 at 6:52 PM, Zos Xavius <[email protected]> wrote:
> With the K-5 IIs moire is eliminated as soon as you pass into the
> diffraction limit which is around f9. From what I can tell around f8
> and smaller the benefits of removing the AA filter become negligible.
> Yes I do realize you eek more resolution out of a filter less sensor
> even at smaller apertures, but you quickly reach diminishing returns.
> That's why I passed on the K-5 IIs. The AF wasn't enough of an upgrade
> and I shoot outside, stopped down to f8 or smaller typically. With the
> 24MP of the K-3 it will likely outresolve a lot legacy lenses and
> probably a lot of lesser modern pentax glass too. The limiteds could
> keep for the most part up I'm sure. This isn't such a bad thing. IMO
> you pretty much always want the sensor to outresolve the lens anyways.
> You benefit from the full effect of the lens painting the image, which
> can be interesting with using legacy lenses. I'm not too worried about
> full frame challenging pentax legacy glass either. Quite a few of
> those lenses are definitely good enough for people to be using on
> canon full frames and honestly IMO once you get beyond 24MP on even
> full frame you might as well start looking at medium format if you
> really need more. The D800 outresolves all but insanely priced lenses.
> If I was going to spend money like that, I'd get a 645D used and start
> building up a small set of primes. PS: I wouldn't worry about moire
> too much. It should be a lot better than the k-5 IIs was, which wasn't
> bad.
>
> On Wed, Oct 16, 2013 at 4:46 PM, DagT <[email protected]> wrote:
>> 24MP is getting lose to the diffraction limit even at large apertures and 
>> very good lenses, and then the blur will ingressen with reduced opening. At 
>> f/11 I wouldn't bother to use the AA function.
>>
>> DagT
>>
>> Sendt fra min iPad
>>
>>> Den 16. okt. 2013 kl. 22:32 skrev Bruce Walker <[email protected]>:
>>>
>>> Really? I've never before heard the suggestion that aperture affects
>>> moire. Actually doesn't make sense to me. Besides that it's a
>>> frequency thing, the more of the shot is in perfect focus the more
>>> chance that moire will affect something. Blurred areas are naturally
>>> low-frequency signals.
>>>
>>>> On Wed, Oct 16, 2013 at 3:19 PM, DagT <[email protected]> wrote:
>>>> Usually they would use smaller apertures, which in turn will reduce risk 
>>>> of Moire.
>>>>
>>>> DagT
>>>>
>>>> Sendt fra min iPad
>>>>
>>>>> Den 16. okt. 2013 kl. 20:55 skrev "P.J. Alling" 
>>>>> <[email protected]>:
>>>>>
>>>>> You mean like for fashion photographers?
>>>>>
>>>>>> On 10/16/2013 3:10 AM, Rob Studdert wrote:
>>>>>> Probably, but it would likely only be a problem when shooting fabrics, 
>>>>>> oops.
>>>>>>
>>>>>>> On 16 October 2013 18:08, J.C. O'Connell <[email protected]> wrote:
>>>>>>> since the K3 uses mechanical AA and doesnt like shutter speeds faster 
>>>>>>> than
>>>>>>> a thousandth of a second for that application, wouldnt using flash cause
>>>>>>> a problem because the flash exposure duration is actually very brief, 
>>>>>>> much
>>>>>>> shorter than the required time for the mechanical AA to operate 
>>>>>>> properly?
>>>>>>>
>>>>>>> --
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>>>>>
>>>>> --
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>>>>>
>>>>>    - H.L.Mencken
>>>>>
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