> From: PDML [mailto:[email protected]] On Behalf Of Steve Cottrell
> 
> On 19/10/13, Larry Colen, discombobulated, unleashed:
> 
> >All of your camera gear has been stolen, but the insurance 
> company has 
> >given you a check to replace it with the brand new 
> equivalent, or good 
> >quality used for fear that is no longer made. How would you 
> spend your 
> >money replacing your kit.
> 
> Buy getting the same stuff again.
> 

When my Pentax stuff was stolen I tried to get all the same stuff again, but
it wasn't available. The insurance policy was new-for-old, and I didn't like
what Pentax had to offer at that time, so I bought Contax / Zeiss, which was
fabulous film gear. It didn't translate well to digital, though, so I later
traded it in for a Leica M8 and a lens or two.

My basic requirements in camera equipment haven't changed much over the
years:

robust, weather/dust-proof
good, large, bright viewfinder
high quality lenses
simplicity and ease-of-use

Situations in which I use it:

casual, flaneur-type of stuff (street photography, I suppose)
travel photography, including cycling and backpacking

The focal length range I like is uncontroversial, although it's nice to be
able to go outside that from time to time. In 35mm terms, this means a
normal range of about 24mm to 100mm covers just about everything, and I have
a set of prime lenses as well as zooms that cover that range. I also have a
21mm prime and a 100-400mm (equivalent) zoom.

So if I had to replace it all, I would buy a Leica M with 21mm, 28mm, 35mm,
50mm & 90mm lenses. I already have all these, but an M8 rather than an M. I
would also replace my M3 like-for-like if that were stolen.

I like the Fuji X100, but I would probably replace it with a Fuji X20 - and
I am considering doing just that anyway.

I really like the Olympus E series, for which I have 3 high quality zooms
covering 22-400mm equivalent. I have an E-3 with battery grip which is
superb, although rather heavy. It's annoying that they've dropped that line.
There may be better things out there now, some of the
top-end-but-not-very-top full-frame Nikons are appealing, and I would give a
lot of thought to them. When I was replacing my Pentax gear though I looked
at the F3, and it was too much of a monster. Having become used to lugging 3
LXes around, I could barely even lift 3 F3s with the equivalent lenses and
winders.

B


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