>But, if you were only allowed one lens to go with a K-5, the 16-50 will
>probably get you better pictures more of the time than any other lens
>that I can think of.
>
>Assuming, of course, you get one that works.
>
>
>-- 
>Larry Colen

Interesting thoughts.
That's the reason I got the FA35/2.  Really sharp and  being the effective
"normal" lens I can shot it and not care too much about having to crop.
My most-used lens is the 18-55WR.  Would like to see some comparisons
between that and the 16-50.  Perhaps I'll go there next week and do so.
There have been times that I forsook zoom and just used the 35/2 and didn't
worry about cropping.  But that's in a controlled environment.
When in NYC and shooting dancers indoors I use the 18-55.  

Also ... Did Tokina ever come out with the 12-24 in Pentax?  I've not found
one yet.


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