Paul, I would very much appreciate a screenshot or any other way I can
see and examine where it shows how you recovered these overexposed
shots.

On Wed, Nov 13, 2013 at 5:45 PM, Paul Stenquist <[email protected]> wrote:
>
> On Nov 13, 2013, at 9:49 AM, Bill <[email protected]> wrote:
>
>> On 12/11/2013 11:20 PM, Boris Liberman wrote:
>>
>>>
>>> Not trying to sound pessimistic or anything, but DR is the most
>>> important aspect to me. So I get to keep my K-5 for now.
>>>
>> Out of curiosity, do you know what the DR of the K3 is (I don't)?
>>
>> The K5 is something like 14 stops at base ISO, which is something like 8 
>> stops more than most people will encounter in real life picture taking 
>> situations.
>> Extreme DR perhaps isn't as important as you think it needs to be, and the 
>> DR of the K3 seems ample, at least at lower ISOs.
>>
>> bill
>>
> I've wondered about this concern over DR myself. Compared to the slide film 
> we all used to shoot, modern digital cameras have a huge range. I don't 
> recall ever running out of latitude. (I grossly overexposed a white interior 
> on a car shoot last summer when brain fade set in, but was easily able to 
> retrieve detail in conversion.) I shot some ducks on a river that was 
> offering some reflections of direct sunlight last weekend with the K-3 and 
> didn't experience any difficulty. So far, it seems as forgiving as the K-5 in 
> that regard.
>
> Paul
>>
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-- 
Boris

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