I'm really not sure what your point is...

Cheers,
frank

David Savage <[email protected]> wrote:
>Guys are the only ones who objectify women:
>
>http://www.youtube.com/watch?v=RgOcgdX1H1I&feature=youtu.be
>
>Bless 'em.
>
>On 28 November 2013 19:22, Derby Chang <[email protected]> wrote:
>>
>> As many have mentioned, this is one of the most interesting threads
>for a
>> while and I'm glad Frank brought it up.
>>
>> My initial reaction was, photography is inherently sexual when
>pointed at
>> people. How can it not be when it is a single image focused on a
>subject. It
>> wants me to look and I love that. But I thought about it some more
>>
>> What I admire about Frank's photographs (and not only his, many
>others on
>> PDML) is the humanising aspect of them. Those couriers taking risks
>in
>> traffic, a blur that you try to avoid - he shows them
>après-couriering.
>> Their bravado and frankly, well-toned bodies, are something to
>admire. That
>> isn't sexualising. I am admiring their life force
>>
>> So too with Alina. She is no more a object in front of Bruce's camera
>than
>> Frank's buddies. When she throws in a gorgeous handstand and writes
>about
>> herself in such a positive way, you know it is that she is as much
>> co-creator as Bruce, with his consumate command of his skills.
>>
>> Do I think my photos are objectifying? Perhaps. I never really know
>these
>> people anywhere like Frank or Bruce. Sometimes, rarely, I have a
>chat.
>> Mostly it is about the pleasure of observation. Which is why I
>steered my
>> blurb along this theme of a brief connection. They are no longer just
>> elements in a composition. Wide lens, 2m or less, and I can't help
>but feel
>> a jolt when they make eye contact. Such a thrilling moment. I really
>can't
>> pull back from the shot thinking about rules or balance when the
>chance
>> presents itself, and really couldn't shoot any other way.
>>
>> --
>>
>> [email protected]
>> http://members.iinet.net.au/~derbyc
>>
>>
>>
>>
>>
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“Analysis kills spontaneity.” -- Henri-Frederic Amiel



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