Thursday I picked up the prints from two rolls of Fujicolor 800 film shot at ISO 1250 
and pushed 1 stop. Wow, could I see detail. Why hadn't my shots looked this 
consistently sharp before? Ah, I must have used the new KX, I thought.

No; both rolls had flash shots, a clear indication that I had used my Super Programs. 
And some of the "sharp" shots were taken with my new Pentax 400/45.6 PKA and my 
briefly owned SMC Takumar 500/4.5 + 1.4XL teleconverter. So why were they disceribly 
sharper?

Several reasons, I think:
1. The 400 and 700mm outdoor shots were taken on my new, heavy-duty Cullmann Titan 
tripod and ballhead.

2. On several of the Titan shots, I used the self-timer.

3. For many of the indoor shots, I used TTL flash, abandoning my available-darkness 
bias. (It didn't hurt that the flash shots were taken with an SMC 35/2K, bought from 
Arnold Stark.)

4. Outdoor shots that were handheld were shot at f/8 or f/11, at shutter speeds of 
1/250 second or higher.

5. For my 135mm outdoor shots, I used my new Vivitar Series One 135/2.3 PK lens. Not 
to knock the SMC 135/2.5K, but I think the Vivitar has it beat in lpm resolution wider 
than f/16. However, the Vivitar can't hold a candle to the SMC in saturation and 
contrast.

6. Indoor shots that were taken without flash were either on the Cullmann or on a 
tabletop tripod. These shots used my Pentax SMC 200/2.5, a lens that has disappointed 
me at f/2.5 and f/4. This time, thanks to stationary subjects, I shot at f/5.6. What a 
difference a stop makes!

I can't wait to get the prints from my KX with 400 film and mirror lockup!

Too bad it took me so long to wake up to the price I pay for shooting handheld, with a 
Super Program, at 1/15 to 1/60 second.

I've just ordered my first cable release. Better late than never.

[EMAIL PROTECTED]


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