Mark,

I totally agree with Attila that the first image is the best.
And indeed, it looks like snow.
It also gives an interesting blueish tone to the road.
I like this photo a lot!

The green in the background of the 3rd image seems a bit unnatural to me,
especially in contrast to the green on the side and that in the 4th image.
It looks like you boosted something in the image (such as "Vibrance" in LR) that resulted in this somewhat strange green.

Cheers,

Igor




On Tue, Sep 23, 2014 at 11:13 PM, Mark C <[email protected]> wrote:
http://www.markcassino.com/b2evolution/index.php/mallows-bay-park

Something for everyone - color infrared, mono infrared, and straight color
shots with the K3.

A few technical comments beyond what I wanted to put in my blog:

The first shot is color IR because otherwise the leaves of the tree and the
overcast sky virtually blend together. The color gives much better tonal
separation.

I took the second shot in both IR and color (K10D and K3). Invisible in the
IR shot but distracting in the color shot is a good bit of dead foliage in
the foreground. So instead of getting a nice green frame around the sunken
boat there is a distracting green and brown mess of foliage. The IR shot
rendered as mono worked best.

This was the only loation where I used the Takumar F 70-200 and that was to
get frame filling shot of the shipwreck out in the bay. The lens is wickedly
sharp and the detail in the old hulk of a boat is interesting at actual
pixels since you can see a lot of detail - but a smaller image showing just
the wreck out in the water without context is not interesting so it didn't
get posted. At the end of the day I could have lived without any lens longer
than 70mm.

The third shot was probably the most technically challenging in that there
was a persistent glare off the wood hull of the sunken boat and the algae
around it. I was glad I packed a polarizing filter. With the polarizer and a
little post exposure processing things came out OK.

Thanks for looking and comments appreciated.

Mark



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