Pretty cool, Charles.

You could also try a Photoshop composite technique. Export both
exposures and stack them in Photoshop, then create a layer mask filled
with black on the brighter layer. Gradually paint white on the layer
mask to reveal the brighter exposure in the places where you need/want
it, leaving the rest alone. You'll have a composite of two exposures
and get the best of both.


On Mon, Sep 29, 2014 at 1:25 PM, Charles Robinson <[email protected]> wrote:
> I can't say enough good things about what you can do with pulling up detail 
> from the shadows in the K5.
>
> Saturday night, the wife and I pedaled around Washington DC taking photos of 
> the monuments.  One shot I did, I figured "well, the contrast is too much but 
> I'll just expose for the brights and see what else I can get in post".
>
> So, I spot-metered on the Washington monument, and took this 13-second 
> exposure at f/9 and ISO 100.  As you can see, the image "straight out of the 
> camera" is not much to write home about:
>
> https://www.dropbox.com/s/cpbyheptagcykqj/K5__4359-original.jpg?dl=0
>
> However, in LR I did only two (very-drastic) adjustments:
>
>  1. I jammed the exposure slider all the way up (+5 stops)
>  2. I pulled the highlights all the way down (-100)
>
> The result is this.  Not high art, but a good-enough documentation of what I 
> saw when I was there:
>
> https://www.dropbox.com/s/7djxrsj2pwcfl0e/K5__4359-processed.jpg?dl=0
>
> There is some mottling up in the sky due to it being a low-quality JPEG 
> export (and there's also a speck of dust on my darned sensor!) but still - 
> wow.
>
>  -Charles
>
> --
> Charles Robinson - [email protected]
> Minneapolis, MN
> http://charles.robinsontwins.org
> http://www.facebook.com/charles.robinson
>
>
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