Thank you very much for sharing your personal experiences like this,
Stan. This is especially appropriate for me as I've been considering
the cost/benefit equation myself but without any personal input.

I'm glad that it has worked out for you and that you are not
regretting the decision to buy into this format. I will probably take
my next step by trying one out in a studio. I hope that Henry's will
rent one to me.


On Mon, Dec 8, 2014 at 12:57 AM, Stanley Halpin
<[email protected]> wrote:
> [continued from a previous “Part 1” due to excess verbosity and PDML limits 
> on size of posting.]
>
> Part 2: What is it like to use it (and is it worth the price?)
>
> In the above listing of some “positive” and “negative” observations on the 
> 645Z, I think there are more “-“ items than “+” items. But don’t think of 
> this as a math problem where too many negatives must swamp the positives. I 
> have tried to be thorough and somewhat picky, trying to give fair warning of 
> possible “issues” to any who might be thinking of making the step to a 645z. 
> But what isn’t accounted for above is the experience of using the camera and 
> the experience of looking at the images later on a good monitor. In short, I 
> have no regrets about making this purchase. I have some regrets about having 
> sold many of my most favorite K-mount lenses in order to finance the 
> purchase, but I am happy with the resulting two-format system and the set of 
> lenses I have for each system.
>
> Shooting with the 645z is a lot like shooting with any Pentax DSLR of the 
> last few years. Just bigger and better. Coming from the K-5 series or K-3, 
> you would be ready to go within a few minutes of taking the camera out of the 
> box. And your spare K-3 battery would already be charged so you wouldn’t need 
> to wait for the 645z battery charging process! Turn it on, wander through the 
> menus to tweak some of the settings away from default to your preferred 
> style, and fire away.
>
> The first thing you may notice is that the whisper-quiet K-3 shutter is not 
> included with the 645z. Shutter release is accompanied by a subtle but 
> definite “thunk.” Not loud enough to disturb, but you’ll know for example 
> when the self timer has done its thing and the shutter has been triggered.
> The second thing you may notice, when you pull the card out, and dump those 
> first images into your processing tool of choice, is that the images don’t 
> seem that spectacularly different or better than you were getting with the 
> K-3. Several things going on here. First, the K-3 is pretty darn good! 
> Second, you may well not see the advantages of the larger file until you go 
> beyond that first RAW-to-jpg-to-screen translation. Third, you probably 
> rushed out and tried some handheld shots. On this last point, at the risk of 
> repeating my self, note that this is a large heavy camera. Even if you can 
> handhold a K-3 with no problem, you probably can’t with this camera, not 
> without practice anyway. And oh by the way, don’t forget that there is no SR 
> to provide a safety net.
>
> So, go online, order one or two plates from Really Right Stuff.
>
> Carrying a tripod is a nuisance. Over the last two-three years I have come to 
> use a tripod for a majority of my shots with the K-5, K-5ii, K-3 and now the 
> 645z. I still find it a pain, especially when traveling. One thing that I 
> like about the 645z is that it encourages me to be more deliberate in my 
> shooting, to carry the tripod, to use the tripod. To frame and consider and 
> reframe. To review on the LCD. To use the Liveview.  To experiment with 
> alternate f-stops and ISO for variations in DOF. A lot of this is due to the 
> nice large bright large viewfinder and (tilting) LCD which make composition 
> and review much easier for my aging eyes.
>
> On my recent trip I alternated, using both the K-3 and the 645z. (And 
> sometimes the WG-III.) I seldom carried both; I usually took the 645z and 
> then usually my tripod as well. But when we went on a catamaran to go 
> snorkeling, I took the K-3 (and WG-III for underwater). When I got up early 
> to go on deck to see the sunrise, that was with the K-3. If I was sitting 
> poolside working on my laptop, the K-3 or WG-III was along. But if I was in a 
> taxi off to see the Winston Churchill painting locale and some of the Madeira 
> sea-cliffs near Funchal, I had the 645z and tripod. So, the 645z was my 
> formal dress camera, the K-3 was my casual camera, and the WG-III was my 
> informal/leisurewear camera. I suspect that that usage pattern will continue.
>
> I’ve gone on long enough. Except that I haven’t directly answered the key 
> question: is the increased resolution etc. worth it? Worth the expense, worth 
> the need to switch to a new set of lenses, a new set of working habits? And I 
> can’t answer that question because so much depends on your own cost-benefit 
> factors. Only you know how big a financial sacrifice you can cope with, and 
> how willing you are to try new things. Only you know what you are trying to 
> do now with your photography and where you might want to take it in the 
> future. FWIW, in terms of broad categories of photography, I would expect the 
> 645z to be an ideal tool for scenic shots, maybe for studio work. Nature 
> shots, especially macro but probably not so much birds and other small 
> fast-moving distant wildlife. Good for situations where you set up on a 
> tripod, deliberately and carefully compose and shoot. If you do decide to buy 
> one, don’t expect to find mine on the used-camera market anytime soon.
>
>
> stan
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