Hi, Larry!
You're shooting white on white in the
case of the near surf and at a substantial distance at the crashing 
far surf.
Not enough structure in the near
surf and that can only be enhanced
by more definition. Difficult to gain
when shooting such a large area.
The far crashing wave would need 
a longer lens and a fairly fast shutter
to catch the surf spray at  or near it's 
peak with good definition.
I don't expect any revelations to derive from this, just dealing with
the obvious. My speciality!
J

Sent from my iPhone

> On Jan 20, 2016, at 6:18 AM, Daniel J. Matyola <[email protected]> wrote:
> 
> Quite nice, Larry.
> 
> The first is indeed the best, but I like all of them/
> Dan Matyola
> http://www.pentaxphotogallery.com/danieljmatyola
> 
> 
>> On Wed, Jan 20, 2016 at 4:15 AM, Larry Colen <[email protected]> wrote:
>> Does that make it queso?
>> 
>> Sunday afternoon, my friend Nicole and I spent some time playing with
>> cameras down at Garrapata state park (just south of point lobos).  With the
>> weather we've been having the surf was active to the point of being scenic.
>> I got a few decent shots, this may be the best:
>> https://www.flickr.com/photos/ellarsee/23868256674/in/album-72157663572666792/
>> 
>> When I got home and started trying to process the photos I realized that
>> while I might have everything exposed reasonably, processing them so that
>> you can actually see the details is quite a challenge.
>> 
>> Has anyone developed any techniques or tricks for photographing and
>> processing active surf, particularly sea foam with a cloudy sky in the
>> background?
>> 
>> I suspect that I may have been a bit too conservative in terms of ISO, that
>> a bit more shutter speed might have better preserved some of the details.
>> 
>> For those interested in the rest of the set:
>> http://www.flickriver.com/photos/ellarsee/sets/72157663572666792/
>> 
>> 
>> --
>> Larry Colen  [email protected] (postbox on min4est)
>> 
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