Thanks for the tips, Collin.
I found one of these (with a bunch of scales) for $5 at a thrift store
(Just need to fashion a way to keep it around my neck):
http://www.bhphotovideo.com/bnh/controller/home?O=&sku=40696&gclid=Cj0KEQiAxMG1BRDFmu3P3qjwmeMBEiQAEzSDLoPsJd5-X24vAKPJsV_tfFq2IpM3UR-PIzmGE7dChtwaAtZS8P8HAQ&is=REG&ap=y&m=Y&Q=&A=details

Black & White is all I'm planning on doing, ATTM. I've heard good &
bad about the 135/235. I'm trying to buy stuff "right" so if I don't
care for something I can at least get my money back out of it and try
something else.

You are right about the prices. Good time to get into large format, price-wise.

On Tue, Feb 2, 2016 at 6:15 AM, Collin Brendemuehl
<[email protected]> wrote:
> The camera is nice.
>
> Get a good focusing loupe.  You'll really come to appreciate it.
> And a really good focusing cloth.
> And a changing tent. A bag is ok, but a tent is wonderful.
>
> And a good lens.  The 135/235 is fine for b&w but that's it's limit. (I had
> one.)
> A modern NIkkor or Rodenstock makes a fine lens and these days the prices
> are quite modest.
> If you can dig up a Rodenstock Ysarex *135mm*, that's a keeper.  It's among
> the last of the series and performs beautifully.
> If you happen to be rich, a Super Symmar ...
> Or camera bling ...
> http://static.photo.net/attachments/bboard/00F/00FHx2-28225684.jpg
>
> A few shots with a plasmat or a Tessar and you will soon see the image
> formation difference over and above the Gaussian design.
>
>
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