Mark:

I'd say that for being able to evaluate your colors better for printing on your Epson 3880, you'd want a wide gamut monitor (with Adobe RGB), even though that might occasionally create some artifacts with some products, as I mentioned. Basically, it comes to the fact that using a wide-gamut monitor you could see some colors that you can print but couldn't see on a "standard"-gamut (SRGB) monitor. This is because for many typical papers the gamut is shifted from SRGB gamut (it can be somewhat larger than SRGB, or smaller, but it is "shifted", i.e. they don't overlap), while Adobe RGB seems to cover most of the paper gamuts (and then some more).

I might be wrong in some small detail in this description, but that's my "big picture".

The "con-" of Adobe RGB is that some programs don't respect it. But you can work around those problems if you are really forced, - and in the worst case scenario can switch to the "SRGB" in the monitor, and calibrate and use it in that mode.


Igor


 Mark C Mon, 25 Apr 2016 11:45:12 -0700 wrote:

...

I am sure there is a difference between professional grade and consumer monitors... but I'm not sure what I really need. I'm not trying to do professional work these days and really just want something that will give me the cleanest path to good prints off my Epson 3880.


Mark

--
PDML Pentax-Discuss Mail List
[email protected]
http://pdml.net/mailman/listinfo/pdml_pdml.net
to UNSUBSCRIBE from the PDML, please visit the link directly above and follow 
the directions.

Reply via email to