Oh yes, actually - I did think you meant that... but then you are more
of a contempletive photographer on the scene (to say the least) thanam
I. :-)
I only took the one frame... was dashing about in the Kensington area of
Toronto.. I was just pointing out that doing without it occured to me is
post processing. as it was 12 years ago I dont' know what I was
thinking at the time - except for the juxtaposition of the uprising and
the bleeding heart
ann
On 5/5/2016 12:36 PM, Bulent Celasun wrote:
Ann,
I see I was not clear.
I was trying to say that I might have moved the cable manually, before
the shoot.
I like it as it is.
B
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2016-05-05 16:38 GMT+03:00 ann sanfedele <[email protected]>:
Took this with a P&S as a grab .. didn't think much about the cable... but
in editing (I cropped a bit to get the aspect ratio closer to 35m from the
darkside frame that you see ) I did think about it - but felt the Uprising
paper and the heart and the cable balanced... and I like the rusted hinge..
from a practical view, if you draw a line down from the top to crop out the
cable it pushes the heart too far to theedge and cuts the little scrap of
paper.
glad you like it, Bulent
ann
On 5/5/2016 2:46 AM, Bulent Celasun wrote:
Beautiful. A painterly feel. Part street, part abstract.
I thought, I might have tried to move the cable out of the composition
if it were mine.
Then, I realized that my "better" composition might look somehow
sterile compared to yours.
That cable adds a sense of reality.
Still too much to learn!
Bulent
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2016-05-02 4:01 GMT+03:00 ann sanfedele <[email protected]>:
Took this in Toronto in 2004... every now and then I stumble on something
I
think is interesting.. no , not Pentax, my first P&S Canon.
https://annsan.smugmug.com/On-the-Road-or-On-Foot/Older-Digital-Captures/i-xDSqSt4/L
ann
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