Thanks Alan - interestingly, we were quite happy with the philosophy of the 
Cloisters, at least as
explained in their information.  Most, if not all, of the pieces exhibited were 
brought from Europe
from buildings which were either being demolished or were otherwise in 
disrepair, and were
legitimately bought.  Each of them has now been incorporated in the Cloisters 
in a way that fulfills
their original function, where possible: e.g. a doorway is used as a doorway, a 
window as a window,
etc.  Statuses and niches are combined in a generally very appropriate way.


John in Brisbane



-----Original Message-----
From: PDML [mailto:[email protected]] On Behalf Of Alan C
Sent: Thursday, 29 December 2016 11:21 PM
To: Pentax-Discuss Mail List <[email protected]>
Subject: Re: GESO - Coyles in New York

I'm almost as green as the Mekon. Wonderful gallery. Apart from the groupies, I 
like the shot of
Tryon Park. I researched the Cloisters and, while it is an interesting venue, 
it astonishes me that
anyone, even Rockefeller, could be so sacrilegious.

Alan C

-----Original Message-----
From: John Coyle
Sent: Thursday, December 29, 2016 5:36 AM
To: 'Pentax-Discuss Mail List'
Subject: GESO - Coyles in New York

To stop Ann toe-tapping, here's the set from NY!
http://members.iinet.net.au/~jcoyle/USA/New York/album/

Comments etc., all welcome.



John in Brisbane



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