The bigger the project (and so the creative team), the more responsibilities may get delegated away from the photographer. It has always been so. Just like on movie sets.
I have done set design for another photographer from time to time. They seem to like what I can do with minimal crap lying around, so I get the job. :) My bro-in-law, when he moved from Europe to New York after WW2, started working for the well known fashion photographer Lillian Bassman and her husband in their studio. He was responsible for loading the film, taking light readings and setting the exposure, and developing the negatives. Lillian would arrive, pose the model and click the shutter. On Sat, Feb 18, 2017 at 12:02 PM, Daniel J. Matyola <[email protected]> wrote: > I always though it was part of the photographer' artistic process to choose > or create an appropriate backgroud for a portrait. Apparently that is no > longer always the case. > > http://magazine.rutgers.edu/features/creating-a-scene > > Dan Matyola > http://www.pentaxphotogallery.com/danieljmatyola > -- > PDML Pentax-Discuss Mail List > [email protected] > http://pdml.net/mailman/listinfo/pdml_pdml.net > to UNSUBSCRIBE from the PDML, please visit the link directly above and follow > the directions. -- -bmw -- PDML Pentax-Discuss Mail List [email protected] http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
