Thanks Paul! 

Yes indeed, got it on all points: 1954-55, #16 was Stirling Moss—I verified 
with Michael Riedner's "Mercedes-Benz W196: Last of the Silver Arrows". And the 
car was noted to be on loan from the Indianapolish Motor Speedway Museum. A 
beautiful thing indeed, and the car of my greatest fantasies when I was a child 
along with the 300SLR and 300SL Gullwing coupe. 

I've been a W196 groupie for a long time. ;-)

There are so many amazing things about these cars… I didn't expect to see one 
this morning. Canepa Motors is kind of a Porsche mecca, but as soon as I saw 
the W196 I was done there. After seeing it, all the Porsches and other exotica 
looked the same to me. I just wish I'd had the presence of mind to knock the 
ISO setting up past 200 to get a little less camera motion blur. I was too 
excited to see it…! I didn't even think to switch to the 35mm lens, just made 
two exposures with the 50mm and stitched them together. It was as if I believed 
the car would evaporate before my eyes. 

such it is.
G

> On Jun 10, 2017, at 4:54 PM, Paul Stenquist <[email protected]> wrote:
> 
> Nice. Excellent photos for a display setting. It is of course one of the 
> 1954-55 Grand Prix cars. I believe the 16 car was driven by Stirling Moss. It 
> usually resides in the Indianapolis Motor Speedway Museum. But is often 
> loaned out for shows. It dominated Grand Prix racing until the horrific 
> accident at Le Mans led Mercedes to quite all motorsports. It is notable for 
> many reasons, but perhaps most importantly, from a technical point of view, 
> is that it was the first car to use direct fuel injection, which didn’t 
> become an industry norm for another 60 years.
> 
> 
>> On Jun 10, 2017, at 7:44 PM, Godfrey DiGiorgi <[email protected]> wrote:
>> 
>> Saw this gorgeous Mercedes-Benz W196 GP car this morning... 
>> 
>> https://flic.kr/p/VB3DeY
>> https://flic.kr/p/VB3DNo
>> https://flic.kr/p/VB3EbC
>> 
>> Gods, what a beautiful machine! 
>> 
>> enjoy!
>> G
>> —
>> The trouble with being punctual is that nobody's there to appreciate it.


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