> On 3 Jan 2019, at 00:36, Larry Colen <[email protected]> wrote:
> 
> 
> Some years ago I was toying with the idea of going pro and was figuring out 
> what it would take to make a living at photography. I knew that I wouldn't be 
> able to go from zero to enough paid gigs to make a living in any sort of 
> reasonable time, but I was able to get enough free gigs to simulate what it 
> would be like to work as a photographer.  It took about two or three weeks of 
> that to suck all of the fun out of my photography and convince me that I 
> didn't want photography to become my job, I wanted to keep it as something 
> that I did for fun. It is nice, however, when occasionally the fun I get from 
> photography includes cashing a check.
> 
> Now pardon me as I was philosophic, and perhaps a bit pedantic...
> 
> From my study of Aikido, I have realized that almost any activity can become 
> a "do", (pronounced doe) aka dao, tao, or translated "way" or path". For me 
> to treat something as a do, is to work on improving my skill at it for the 
> meditative benefits of working to improve your skills at that activity.  For 
> me, photography can very much fall into that category because there are so 
> many areas to improve one's (especially my) skill and understanding. For me, 
> simply working on holding the camera still while taking photos can be a skill 
> that can never be perfected, only improved. Composition, lighting, and even 
> putting a model at ease are just a few more of those skills.
> 
> So, to me, walking around with my camera looking for photos, even when I 
> don't have my muse, isn't necessarily a onerous chore, but an opportunity for 
> a few minutes of meditation.  At least that's the theory.
> 

Influenced in all things by Henri Cartier-Bresson, I read a few years ago a 
book that he recommended to photographers, called Zen in the Art of Archery, by 
Eugen Herrigel. This had a very profound philosophical and practical effect on 
my approach to photography and now when I'm taking pictures I close my eyes, 
breathe slowly, rhythmically and meditatively to make myself one with the 
cosmos, visualise the spirit of the image, then throw my camera at the subject.





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