Thanks, all. I must say I am surprised at the interest shown in this
image. I took about a dozen shots at various angles but this was the
only one worth showing. Curious patrons kept getting in the background.
Larry, the forecourt is lit 24/7. The owner has a substantial seamless
solar backup so it is never dark.
Alan C
On 19-Mar-20 02:01 AM, Rick Womer wrote:
I like this a lot! I see what you mean about the isolation problem; but in a
perverse way the ugly commercial background somehow enhances the affection and
beauty of the sculpture.
The photo and the isolation problem remind me of this one I took in the center
of Antwerp:
https://photos.smugmug.com/AMS-to-CDG/Antwerp/Antwerp/i-8cB3wPz/0/0a0721b3/O/Antwerp%2005-18%20%23-21.jpg
Cheers,
Rick
On Mar 18, 2020, at 7:24 PM, <[email protected]> <[email protected]> wrote:
Works well, surprisingly. The last time I saw wire bags full of stone was
as harbour wall protection on the island of St. Helena, and it wasn't
sculpture!
John in Brisbane
-----Original Message-----
From: PDML <[email protected]> On Behalf Of Alan C
Sent: Wednesday, 18 March 2020 10:17 PM
To: Pentax Discus Mail List <[email protected]>
Subject: PESO: Father & Son Sculpture
The Phalaborwa Wire & Stone Sculptor has been at it again with this
offering. It is very badly situated for photography near the entrance to the
convenience store at a local filling station. With all the customers & cars
milling around & the poor lighting it was a real challenge to even get a
shot. Quite appealing, actually.
https://www.flickr.com/photos/wisselstroom/49672485846/
K5 & DA 18-55
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