John,

I face this every time I shoot a wedding.  I have found that the only
solution is fill flash - sometimes quite strong, which explains why I
just picked up both leaf shutter lenses for the 67 (Dang, that fisheye
keeps getting pushed back).  That noonday sun is a real killer isn't
it. Still loved the picture.


Bruce



Wednesday, June 05, 2002, 5:41:41 PM, you wrote:

JC> Thanks, Bruce, for your comments.
JC> In putting this together for the web, I did lower the contrast as much 
JC> as possible, and adjusted levels a little.  However, it's typical of 
JC> our indigenous people that they do have deep-set dark eyes, and it 
JC> would have meant pushing the envelope a little too far to get them 
JC> lighter.  In addition, it was one of our glorious Queensland days, with 
JC> high strong sun!
JC> It was an absolutely fascinating day, with bands of dancers doing 
JC> traditional dances as well.  Shot a _lot_ of film!


JC> John Coyle
JC> Brisbane, Australia


JC> On Thursday, June 06, 2002 7:53 AM, Bruce Dayton 
JC> [SMTP:[EMAIL PROTECTED]] wrote:
>> Time to make some comments on photos:
JC> <SNIP>
>> This is my story - John Coyle
>> Nice shot!  The composition really makes this photo.  The subject
>> sitting off center and the instrument drawing you up to his face are
>> very nice.  His pointing hand adds a nice touch.  Good timing on the
>> shot.  The contrast does seem a bit too high - losing some details,
>> especially around the eyes.  I would have like to seen this done on a
>> lower contrast film - Reala or one of the portrait films.
>>
JC> <SNIP>
>>
>>  Bruce Dayton
>> -
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