Bob Walkden wrote:

> Hi,
>
> > ann replies, somewhat testily :)
> > Jeez, Bob ....
>
> oops...
>
> > I have notes and numbers up the wazoo
>
> might be a good place to keep all that film you keep losing <g>

Now there's a concept!

>
> > - I've only been doing this stuff for 35 years.
>
> Sorry Ann - wasn't thinking. But some of the most disorganised people
> I've ever met have been professional photographers.
>

Ah - but I'm not a full-timer so that is why I'm organized!
S'okay - Bob,  say  ten Ansel Adams' and a couple of Weston's and go in peace. <g>

annsan

>
> ---
>
>  Bob
>
> mailto:[EMAIL PROTECTED]
>
> Thursday, June 06, 2002, 6:59:28 PM, you wrote:
>
> > Bob Walkden wrote:
>
> >> Hi,
> >>
> >> annsan wrote:
> >> > I don't think I've gone on a trip without either actually losing a roll of 
>exposed
> >> > film or thinking I had
> >> > when I got home and looked at the results.
> >>
>
> >> Bob instructs:
> >> to avoid this you should number your films in advance, and keep a
> >> notebook where you write down the film number as you put it into the
> >> camera, and write basic caption details (who, what, where, when, why)
> >> and basic exposure notes such as EI if you're not rating it normal
> >> (you should also write this on the can, of course).
> >> This is essential if you're on a long trip shooting a lot of film, otherwise
> >> you're likely to lose track of the photo details. It also means you can account
> >> for each roll when you've finished the trip
>
> > ann replies, somewhat testily :)
> > Jeez, Bob ....
> > I have notes and numbers up the wazoo - I've only been doing this stuff for 35 
>years.
> > I was kinda kidding , but no matter how careful you are, there is an emotial 
>element
> > especially when the action is hot  And anyone, no matter how well they plan, can 
>drop a
> > roll of film off a mountain trail when scurrying to reload, etc.  But the 
>_feeling_ that
> > you must have lost a roll somewhere because that shot in your head is not on your 
>film
> > has more to do with, I think, the shot you didn't click off
> > for any number of reasons.
>
> > Bob W continues:
>
> >> .Of course, the other essential thing is to put all the finished rolls
> >> in the same place. That is, take a bag specifically for used rolls of
> >> film rather than just tossing them into a suitcase somewhere where
> >> they're all loose and easily lost.
>
> > Of course ( and see above.)  I actually use two small coolers - one for pre, one 
>for
> > post.
> > Each roll of film has a color code on the canister for the film type where I write 
>the
> > number
> > AFTER it is exposed.   I carry a small notebook , one camera loaded with color, 
>one with
> > black and white
> > (or two different kinds of film, anyway) and a third in the car in case one dies 
>on me.
> > I start at
> > the front of the notebook with numbers and codes and turn it upside down and start 
>at
> > the
> > back for the other camera.
>
> > I don't agree with numbering before shooting, though.  Thats how I tell the 
>unexposed
> > film
> > from the exposed film in my bag without opening the cannister.
>
> > I wrote more elaborate notes when I shot stuff for stock, which I really don't do
> > anymore,
> > so I tend now just to jot down essentials that I care about remembering.
>
> > I just was spinning off on that feeling that something essential disappeared.  As 
>for
> > losing things,
> > it does get worse the older I get... I probably left at least one item in every 
>place I
> > stayed last
> > fall over the 2 months I drove across the country.  But I didn't actually lose any 
>film
> > - I just mislaid
> > some of it once I got home.
>
> > annsan
> -
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