> -----Original Message-----
> From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]
> On Behalf Of tom
> Sent: Wednesday, July 17, 2002 12:22 AM
> To: [EMAIL PROTECTED]
> Subject: RE: Wedding photographing
> 
> > -----Original Message-----
> > From: [EMAIL PROTECTED]
> > [mailto:[EMAIL PROTECTED]]On Behalf Of Petter Jarbo
> >
> >
> > Dear PDML:ers
> > A close friend asked me the other day if I would be his wedding
> > photographer. I said I would be honored but am beginning to think I
> > might have taken on more than I can handle <g>
> > I've been secondary photographer at a couple of weddings, but never
> > taken the actual wedding pictures.
> 
> Make sure they understand this *explicitly*. Friendships have been
> ruined for less.
They do. My friend share my passion for photography and we understand
each other perfectly.
> 
> Having said that, if they're broke and realize you're going to do the
> best you can given your experience/skill, go for it.
> 
> I would suggest you guys sign a contract too.
> 
> >
> > I need your advice dear friends.
> > 1. What should I think of when the big day comes?
> 
> "Please god, don't let me screw up."
> 
> > 2. What film do you recommend? I will concentrate on
> > portraits of bride
> > and groom, some pictures from the ceremony and a lot of
> > digital from the
> > party.
> 
> If your lab uses Kodak paper, either Fuji NPH, NPZ, or NPS, or Kodak
> 160NC or 400NC.
> 
> If they don't use Kodak paper, go with the Fuji.
> 
> I would say go with the Fuji anyway. The Kodak has this built in color
> crossover that makes the lab's job tough if they're not using Kodak
> paper. Plus the Fuji stuff is closer to the stated speed than the
> Kodak.
> 
> I say this having shot maybe 2 or 3 hundred rolls of Portra before
> switching to Fuji a couple of months ago. My lab loves me much more
> than they used to.
> 
> As far as b+w goes, unless you're doing it yourself go for the C-41
> Portra 400 B+W. I shoot 90% Neopan 1600, but than again I processed
> about 60 rolls of it myself last week.
> 
Tjanks for the advice, I will probably go Fuji.

> > 3. I've got the opportunity to rent a Hasselblad 500C with
> > Planar 80 and
> > Sonnar 150 for the weekend for ~US$30. I've never used a
> > MF-camera and
> > only once touched the Hassie. Do you think I could "learn"
> > the Hassie in
> > a day and use it with any success the big day or should I
> > concentrate on
> > what I really know?
> 
> Skip the Hassie. Most weddings are shot on 35mm these days anyway, and
> even though I think you could learn it, I don't think you could learn
> well enough and quick enough to work well with it.
Sounds like good advice. Might rent it anyway to play with.

> 
> > And what I really know is my MZ-S with 28-105/3,2-4,5,
> > A-50/1,7, Takumar
> > 135/2,5, Zenitar 16/2.8 and, of course, my beloved backup Program-A.
> 
> How 'bout a flash? A bracket would be good too.
Ah, that's my weak link. I do not own a good flash. Unfortunately I
can't afford a decent one right now (just got a baby <g>)

> 
> >
> > The reason they asked me in the first place is probably
> > money. Both the
> > bride and groom are students and can't afford a professional
> > photographer (can easily be US$500 here in Sweden)
> 
> Either you guys have cheap photographers or things are done a little
> differently over there...
US$500 is for a photosession in studio/outdoor with only a book of
perhaps 8 pages of photos. You could of course order enlargements etc
and the price will rise.

> 
> > I've got
> > about US$150
> > to spend and that includes developing.
> >
> 
> What is that, maybe 6 rolls of film and developing?
Yes, but I will shoot digital (olympus E-10) at the party/reception.
Hopefully will be enough.

> Good luck.
Thank you!
 
> tv
Petter
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