Pat,

Have you considered B&W?  I just got back a roll of Ilford Delta 3200
that doesn't look bad at all.  It also gets rid of color problems with
the different spots.


Bruce



Thursday, November 14, 2002, 6:45:01 PM, you wrote:

P> I'm scheduled to go to an ice show in January. The lighting will be colored
P> spot lights w/ the house lights off. The arena is regulation hockey sized. The
P> last time I was there, the arena management (or perhaps show management)
P> prohibited lenses w/ focal lengths greater than 70mm (what silliness!) or by
P> security inspection, lenses longer than an arbitrary height were turned away,
P> unless one had the appropriate paperwork (press passes). There was also a
P> prohibition against flash photography (didn't stop all the P&S users, many of
whom had zooms >> 70mm, more silliness). This meant I had to put an 80-200/2.8
P> lens back in the car. Shooting w/ a 28-205 lens simply wasn't long enough. This
P> year, I'm going back in w/ a slowish (=smaller) 75-300/4.5-5.6 lens. This means
P> minimum ISO 800 film. 

P> I'm open to suggestions for a color negative ISO 800 or above film. Last year
P> was Fuji Superia Xtra 800. Any opinions on shooting this at EI 1600 or
P> suggestion for an ISO 1600 film? Not after shots that rival the big guns that
P> have seats on the press side lines, but would like to world on my low light
P> technique.

P> TIA,
P> Pat in SF


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