This just in. Sure looks complicated.

William Robb

>was wondering. In what format do you archive your D100 photos.
NEF, .tiff
>or .psd?

Well, I'm still working on my total workflow, so it's still a
work-in-progress, but here's what I'm currently doing.

Shoot in NEF. Transfer images to computer from the CF card using
a ZiO!
reader using USB (going to upgrade to a USB 2.0 when one finally
ships). I
use Windows Explorer to do the transfer -- takes about 9-11
minutes to
download a full 512MB CF card.

I create a folder structure on the hard disk this way:

Top Folder = Job Name (I use year/sequential number eg: 02-335)

Then I create four folders inside that, so the structure looks
like (for
example)

[02-335]
....[File]
....[NEFs]
....[Prints]
....[Proofs]

I put the NEFs into the [NEFs] folder. I then use ACDSee to
rename the NEFs
to (eg) 02335-0001...023350-xxxx. The reason I use a four-digit
frame
number is so I can kee
p scanned films in the same numbering sequence, where
the first two digits of the [xxxx] would be roll number, and the
last two,
frame number. For scanned images, I wouldn't have NEFs of
course, but TIFFs.

Then I use Bibble to make (smaller) JPEGs from the NEFs which
are placed in
the [Proofs] folder. They keep the same relatively file name as
the
original NEFs. I then use ACDSee to make a contact sheet of the
JPEGs. Then
I use ACDSee to resize those JPEGs even smaller @ 72ppi and put
them into
the [File] folder. (More on this later.)

Now I can burn a CD with the NEFs (so I've got something backed
up off the
hard disk). If it's a client job, I'll probably make two copies
at this time.

After reviewing the contact sheets and making some selects, I
start up
Photoshop 7 and open the first (NEF) image I want to work on. I
use either
the Bibble filter or the Nikon Capture filter, depending. (Right
now, I've
left out the step of possibly using NC to change things like W
B, tone,
etc.) Once opened, I *immediately* save it as a PSD file into
the [Prints]
folder. As I work on the image, I make intermediate saves as a
PSD into the
same [Prints] folder with a suffix -- eg, the first PSD might be
02335-0019.psd, and the intermediates would be something like
02335-0019a.psd... 02335-0019b.psd, and so on. Yeah, this folder
gets some
pretty large files -- the first PSD is usually at least 35MB or
so, and
after some editing, easily can get to 50MB or more.

If I'm doing some cropping for different print sizes, I use the
Crop Tool
with Output PPI set to 360 and Bicubic intepolation. So if I
want to make
an 8x10, an 11x14, 4x6... whatever, I've got various crops
pre-established
for those sizes. I then save the image something like
02335-0019a810.psd,
02335-0919a1114.psd and so forth.

(An aside: The above is for when I need to make prints to a
"standard"
output size, as for portraits, commercial work, etc. For my own
"art"
work, where I
'm printing to a standard 13x19 or 8.5x11, I let the printer
driver do the interpolation and don't worry about resizing the
image
myself, unless I've performed a pretty radical crop.)

I do as much editing as possible in 16-bit mode, and only
flatten to 8-bit
for those functions which don't currently work in Photoshop at
the high-bit
setting.

If I'm printing something standard with white borders, I put my
Copyright
info ( (c) John W. Albino--All Rights Reserved) into a Text
Layer
positioned just below the image area itself. (I make the image
proportionately smaller than the paper size, so I have a white
border
created by making the Canvas Size the same as the Paper size.)

The last thing I do before printing is USM-ing, and the settings
I use
depend on my mood, the subject, colors, textures, and all the
rest. I
sometimes save this image also, if I know I'll be making more
prints soon,
with a "p" suffix to indicate "This is how it printed" -- eg,
02335-0019ap.psd,
 or 02335-0019a810p.psd and so forth.

Eventually takes up a lot of disk space, and maybe sounds too
much
belt-and-suspenders-ish, but, as I've said, I'm still working on
the whole
process.

Periodically, I also burn these folders to CD also... generally
need a CD
for each step -- one for NEFs, one for Prints, etc.

Back to the [File] Folder -- this is purely a U.S. thing, but
most of us
are now trying to register all of our images as Unpublished with
the U.S.
Library of Congress for maximum protection. You've probably seen
this
mentioned on some of the other lists we're both on. Anyway, the
reason to
have relatively small JPEGs to file is both to save space on a
CD as well
as make them undesirable for someone to steal. Periodically, I
burn a
couple CDs with the [File] folders from several jobs and make an
index
sheet from each, and send it off to the Library of Congress.

I'm currently using Photoshop 7, ACDSee 5, Bibble 2002, Nikon
Capture 3.5,
DigitalPro, and Pa
intShop Pro 7 for various uses along the way. DigitalPro
ultimately can be a great cataloging tool, but I haven't
completely figured
out exactly what my long-term workflow is going to be.
--



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