Matias, List:

In light of your helpful elaboration on what you have in mind, a book
chapter that I coauthored with Joseph Dauben and List moderator Gary
Richmond a few years ago might be of interest--"Peirce on Abduction and
Diagrams in Mathematical Reasoning" (
https://philpapers.org/archive/DAUPOA.pdf), which appears in *Handbook of
Cognitive Mathematics* (
https://rd.springer.com/referencework/10.1007/978-3-030-44982-7). Some of
the other chapters in that volume might likewise be relevant to your
project.

Regards,

Jon Alan Schmidt - Olathe, Kansas, USA
Structural Engineer, Synechist Philosopher, Lutheran Christian
www.LinkedIn.com/in/JonAlanSchmidt / twitter.com/JonAlanSchmidt

On Fri, Jul 11, 2025 at 12:38 PM Matias <[email protected]> wrote:

> Dear Mr. Chandler,
>
> I truly appreciate your answer. It challenges me to make explicit what I
> am seeking. Here, I will explain what I am pursuing.
>
> First, as I stated in my previous message, my primary focus is to
> understand creative mathematical reasoning. This led me to wonder whether
> Peirce's notion of theorematic reasoning can offer a good starting point. I
> first encountered that notion while reading an article by Daniel Campos, at
> a time when I was working in a research group dedicated to the philosophy
> of mathematical practice based in Argentina, specifically at the National
> University of Córdoba. At that time, I had done little research on Peirce's
> thought around this notion, but it was not the central concern of the
> group's activities at that moment. For several reasons, we had to pause the
> activities of our group some time ago, and I am taking advantage of this
> pause to return to Peirce's notion and to explore its applicability to
> understand the actual practice of mathematical inquiry. In a sense, I am
> proceeding from scratch.
>
> Allow me now to briefly describe how I currently conceive a research
> project built upon Peirce's ideas. This is a general framework within which
> more limited objectives could be inserted. From my perspective, this
> project would ideally comprise three steps: 1) to clarify Peirce's notion
> of theorematic reasoning; 2) to explore its applicability to mathematical
> inquiry at a suitable level of granularity; and 3) to focus on the
> underlying cognitive mechanisms behind theorematic reasoning. This final
> step could potentially be tackled in an interdisciplinary way.
>
> Currently, I am focused on the clarification of Peirce's notion, and this
> is what motivated my original message. As far as I can see, there is
> consensus that Peirce's notion of theorematic reasoning is underdeveloped
> in his remaining works, but a salient fact, pointed out by some
> specialists, is that through this notion, Peirce characterizes mathematical
> reasoning as a creative process of thought. The central trait is the
> creative experimentation with a diagram that embodies the relations stated
> in the condition of the theorem being sought to prove. This experimentation
> consists in a continuous interplay between experimental hypothesis-making
> and judicious observation (terms I borrow from Campos). Of course,
> theorematic reasoning can comprise other operations beyond experimentation,
> such as hypostatic abstraction, but the need to perform experiments with a
> diagram seems to me the common trait of all forms of theorematic reasoning.
> Also, theorematic reasoning is a type of inquiry into hypothetical worlds
> created by the mathematician.
>
> My reading of Margaret Boden's The Creative Mind and her distinction
> between three creative outcomes—the surprising combination of known ideas,
> the exploration of conceptual spaces, and the transformation of these same
> conceptual spaces—leads me to ask what kind of creativity is implicit in
> diagrammatic experiments. I think that such experiments comprise all three
> types identified by Boden, as Peirce conceived the notion.
>
> First, there is at least one example of theorematic reasoning that
> exhibits the combinatorial kind of creativity, namely, the demonstration of
> Desargues' theorem (or the ten-point theorem) produced by von Staudt. In
> this case, a two-dimensional array of lines is related to a
> three-dimensional disposition of figures, which reveals the truth of the
> theorem almost directly.
>
> The second type of creativity is represented in the much more frequently
> cited example of the Pons Asinorum, where the construction is the product
> of the exploration of what is possible within the conceptual space defined
> by Euclidean axioms, postulates, and definitions.
>
> I do not know if Peirce provides an example that directly illustrates the
> third type of creativity, but I suspect that the notion of theorematic
> reasoning comprises this type as well, and that this makes the notion
> particularly interesting as a model for the reasoning involved in
> mathematical inquiry. In this respect, I think that we can encounter a
> parallel between theorematic reasoning and Kekulé's discovery of the
> benzene molecular structure. The experimentation with a diagram, in such
> cases, helps us first to detect the limits of the conceptual space within
> which we are working, and subsequently to break these limits by
> transforming this space.
>
> In all this project, I think that a profound understanding of Peirce's
> notion is fundamental, but if necessary, we may need to modify his original
> ideas somewhat to apply them to the understanding of mathematical reasoning.
>
> I apologize if I did not introduce myself before. I hope this helps you to
> understand the context of my first two questions. I thank you very much
> again for the time you took to read and answer my messages.
>
> Sincerely,
>
> Matías Saracho
>
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