For the words I have this quotation that I had placed on the front page of my book (L'algèbre des signes, 1990) and which says almost the same thing but in the field of language using the "quasi-morphism": notes --> words ; melody --> speech, music score --->algebra "All speech is but such an algebra, the repeated signs being the words, which have relations by virtue of the meanings associated with the them " (CP 3.418) The best, Robert Honorary Professor ; PhD Mathematics ; PhD Philosophy fr.wikipedia.org/wiki/Robert_Marty *https://martyrobert.academia.edu/ <https://martyrobert.academia.edu/>*
Le dim. 31 janv. 2021 à 11:58, Frederik Stjernfelt <[email protected]> a écrit : > It is interesting Peirce is using the example of melody for his third, > synthetic kind of consciousness – and also as a metaphor for other > syntheses like thought, in Robert’s quote. > > > > Here, there is an interesting parallel to the earliest gestalt theorists > in Europe around the same time – Stumpf, Ehrenfels – also taking the melody > as the prime example of gestalts. Only later, gestaltists turned to visual > examples. > > > > Best > > Frederik > > > > PS Dear John – I tried to email you at [email protected], but it bounces > back – is there another address where I can reach you? > > > > *Fra: *John Sowa <[email protected]> > *Svar til: *John Sowa <[email protected]> > *Dato: *søndag den 31. januar 2021 kl. 04.46 > *Til: *Robert Marty <[email protected]> > *Cc: *Auke van Breemen <[email protected]>, Cornelis de Waal < > [email protected]>, Gary Richmond <[email protected]>, Jon Alan > Schmidt <[email protected]>, Peirce List <[email protected]>, > "[email protected]" <[email protected]>, " > [email protected]" <[email protected]>, " > [email protected]" <[email protected]> > *Emne: *Re: [PEIRCE-L] Existential Graphs in 1911 > > > > Robert, > > Thanks for finding that quotation: > > > Thought is a thread of melody running through the succession of our > sensations” (CP 5.395) > > Now that you mention it, I recall reading that some time ago. It must > have been lurking somewhere in my mind, but well beneath the conscious > level. > > In any case, it's very appropriate. The connection to sensations > emphasizes the relation to Bill's term "embodied experience". > > It is also related to my point that the total context is more important > than particular words. That doesn't mean that words are irrelevant, but > they can be highly misleading when taken out of context. > > John >
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