Thanks to all who responded, including the other references and the commentary. Linda
At 10:03 AM 11/21/2011, Auke van Breemen wrote:
Linda, Frances,

The 1st link Francis provided gives access to all pages of the article. Capture screen shots and a print for personal use comes in sight.

The review seems adequate. I could add to it that besides that the author uses too small a subset of the Peircean sign aspectual terms, s(he) [Anne may go two ways in terms of gender] does not pay attention to the gutter, although s(he) recognizes its effects:

From the review:
More interestingly, she claims that the "still-images of actions" are also indexical, because they only show a part of a broader temporal whole action. This is probably the most astute observation of the piece, yet receives relatively little relative attention. This is a key insight, and would be worth expanding on.
---

Will Eisner once wrote as I recall: “The worst crimes are committed in the gutter.” , i.e. the space between two panels that leaves room for the imagination of the reader. The content of the gutter is potentially involved in the overall sign or evolves in the process of interpretation that results from the clash between the incoming signs and what is already contained in the interpreting sheet. The ‘co-incidence’ of the sign and what it calls forth, points in the direction of contiguity or an indexical relation.

Eisner, Comics and Sequential art. Poorhouse press, 1985 and McCloud, Understanding Comics. Kitchen Sink press, 1993 go much deeper than Magnussen. The semiotic distinctions however are only shown, not named.

A clear semiotic description of all issues addressed in those works would demand the finer distinctions of the Welby classification(s) and the sub-categories of sign types distinguished in the course of years. A frame for instance can be looked at as a phemic sheet, cf CP 4.561, sheets can be put tin different modalities, cf Eisner, 1985, p. 44 (or tinctured).

But already at the elementary level the comic book authors are more insightful, cf. McCloud, 1993 pp. 24,25. This Magritte example enables some good points about the sinsign – replica sinsign distinction, amongst others.

Kind Regards,

Auke van Breemen










Van: C S Peirce discussion list [mailto:PEIRCE-L@LISTSERV.IUPUI.EDU] Namens Frances Kelly
Verzonden: maandag 21 november 2011 11:39
Aan: PEIRCE-L@LISTSERV.IUPUI.EDU
Onderwerp: Re: [peirce-l] Book/article needed

Linda...
Could not find an editable version of the entry. You may have the following leads.

My raw Google Scholar Books search gave me this snapshot of the entry from the book, but it likely cannot be copied or printed. <http://books.google.ca/books?hl=en&lr=&id=cil7WbXg8BkC&oi=fnd&pg=PA193&dq=The+Semiotics+of+C.S.+Peirce+as+a+Theoretical+Framework+for+the+Understanding+of+Comics&ots=9KNX80NKxS&sig=dE9YgBzZpSyKwsyZyjlgkMixc_k#v=onepage&q=The%20Semiotics%20of%20C.S.%20Peirce%20as%20a%20Theoretical%20Framework%20for%20the%20Understanding%20of%20Comics&f=false>http://books.google.ca/books?hl=en&lr=&id=cil7WbXg8BkC&oi=fnd&pg=PA193&dq=The+Semiotics+of+C.S.+Peirce+as+a+Theoretical+Framework+for+the+Understanding+of+Comics&ots=9KNX80NKxS&sig=dE9YgBzZpSyKwsyZyjlgkMixc_k#v=onepage&q=The%20Semiotics%20of%20C.S.%20Peirce%20as%20a%20Theoretical%20Framework%20for%20the%20Understanding%20of%20Comics&f=false

My further Google search gave me this review of the entry.
<http://blog.emaki.net/2009/03/review-semiotics-and-comics.html>http://blog.emaki.net/2009/03/review-semiotics-and-comics.html

There may of course be more leads not yet found by me.
---Frances


From: C S Peirce discussion list [mailto:PEIRCE-L@LISTSERV.IUPUI.EDU] On Behalf Of Linda R Waugh
Sent: Sunday, 20 November, 2011 9:55 PM
To: PEIRCE-L@LISTSERV.IUPUI.EDU
Subject: [peirce-l] Book/article needed

Sorry to break up the slow reading, but I'm looking for the following:
Magnussen, Anne. “The Semiotics of C.S. Peirce as a Theoretical Framework for the Understanding of Comics.” In Comics Culture: Analytical and Theoretical Approaches to Comics. Copenhagen, Denmark: Museum Tusculanum Press, 2000.
Can anyone help me?
Thanks, Linda Waugh

Dr. Linda R. Waugh
Interim Director, English Language/Linguistics, M.A. in ESL, <http://english.arizona.edu/index_site.php?id=258>http://english.arizona.edu/index_site.php?id=258 Member, Executive Council, Interdisciplinary Ph.D. Program in Second Language Acquisition and Teaching (SLAT), <http://www.coh.arizona.edu/SLAT/>http://www.coh.arizona.edu/SLAT/ Co-Director, Center for Educational Resources in Culture, Language, and Literacy (CERCLL), <http://cercll.arizona.edu/>http://cercll.arizona.edu/ Professor of French, English, Anthropology, Linguistics, and Language, Reading and Culture, <http://waugh.faculty.arizona.edu/>http://waugh.faculty.arizona.edu/
University of Arizona, Tucson, Arizona, 85721, USA.
Executive Director, Roman Jakobson Intellectual Trust
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Dr. Linda R. Waugh
Interim Director, English Language/Linguistics, M.A. in ESL, http://english.arizona.edu/index_site.php?id=258 Member, Executive Council, Interdisciplinary Ph.D. Program in Second Language Acquisition and Teaching (SLAT), http://www.coh.arizona.edu/SLAT/ Co-Director, Center for Educational Resources in Culture, Language, and Literacy (CERCLL), http://cercll.arizona.edu/ Professor of French, English, Anthropology, Linguistics, and Language, Reading and Culture, http://waugh.faculty.arizona.edu/
University of Arizona, Tucson, Arizona, 85721, USA.
Executive Director, Roman Jakobson Intellectual Trust
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