is there a
correlation between corruption and jazz? it makes sense for Chicago and New
Orleans...
what is the
explanation of this correlation, if it exists?
why doesn't
this correlation work for rock n roll, or does it? did it work for Baroque
music, back when Bach was hot?
If the mayor
stamps out corruption, does that also strike a blow against creative
music?
enquiring
minds want to know...
Jim Devine [EMAIL PROTECTED] & http://bellarmine.lmu.edu/~jdevine
JKS
writes:
[Kansas City] was one of the crookedest places on the planet, and accordingly a capital of jazz. Charlie Parker hailed from there, had his first gigs in Jay McShann's band.
