Law professor fires back at song-swapping lawsuits

-------------------------------------------------------------- (November 16 
2008)

BOSTON - The music industry's courtroom campaign against people who
share songs online is coming under counterattack.

A Harvard Law School professor has launched a constitutional assault
against a federal copyright law at the heart of the industry's
aggressive strategy, which has wrung payments from thousands of
song-swappers since 2003.

The professor, Charles Nesson, has come to the defense of a Boston
University graduate student targeted in one of the music industry's
lawsuits. By taking on the case, Nesson hopes to challenge the basis for
the suit, and all others like it.

Nesson argues that the Digital Theft Deterrence and Copyright Damages
Improvement Act of 1999 is unconstitutional because it effectively lets
a private group - the Recording Industry Association of America, or RIAA
- carry out civil enforcement of a criminal law. He also says the music
industry group abused the legal process by brandishing the prospects of
lengthy and costly lawsuits in an effort to intimidate people into
settling cases out of court.

Nesson, the founder of Harvard's Berkman Center for Internet and
Society, said in an interview that his goal is to "turn the courts away
from allowing themselves to be used like a low-grade collection agency".

Nesson is best known for defending the man who leaked the Pentagon
Papers and for consulting on the case against chemical companies that
was depicted in the film "A Civil Action". His challenge against the
music labels, made in US District Court in Boston, is one of the most
determined attempts to derail the industry's flurry of litigation.

The initiative has generated more than 30,000 complaints against people
accused of sharing songs online. Only one case has gone to trial; nearly
everyone else settled out of court to avoid damages and limit the
attorney fees and legal costs that escalate over time.

Nesson intervened after a federal judge in Boston asked his office to
represent Joel Tenenbaum, who was among dozens of people who appeared in
court in RIAA cases without legal help.

The 24-year-old Tenenbaum is a graduate student accused by the RIAA of
downloading at least seven songs and making 816 music files available
for distribution on the Kazaa file-sharing network in 2004. He offered
to settle the case for $500, but music companies rejected that,
demanding $12,000.

The Digital Theft Deterrence Act, the law at issue in the case, sets
damages of $750 to $30,000 for each infringement, and as much as
$150,000 for a willful violation. That means Tenenbaum could be forced
to pay $1 million if it is determined that his alleged actions were willful.

The music industry group isn't conceding any ground to Nesson and
Tenenbaum. The RIAA has said in court documents that its efforts to
enforce the copyright law is protected under the First Amendment right
to petition the courts for redress of grievances. Tenenbaum also failed,
the music group noted, to notify the US Attorney General that that he
wanted to contest the law's constitutional status.

Cara Duckworth, a spokeswoman for the RIAA, said her group's pursuit of
people suspected of music piracy is a fair response to the industry's
multibillion-dollar losses since peer-to-peer networks began making it
easy for people to share massive numbers of songs online.

"What should be clear is that illegally downloading and distributing
music comes with many risks and is not an anonymous activity", Duckworth
said.

Still, wider questions persist on whether the underlying copyright law
is constitutional, said Ray Beckerman, a Forest Hills, New York-based
attorney who has represented other downloading defendants and runs a
blog tracking the most prominent cases.

One federal judge has held that the constitutional question is "a
serious argument", Beckerman said. "There are two law review articles
that have said that it is unconstitutional, and there are three cases
that said that it might be unconstitutional".

In September, a federal judge granted a new trial to a Minnesota woman
who had been ordered to pay $220,000 for pirating 24 songs. In that
ruling, US District Judge Michael J Davis called on Congress to change
copyright laws to prevent excessive awards in similar cases. He wrote
that he didn't discount the industry's claim that illegal downloading
has hurt the recording business, but called the award "wholly
disproportionate" to the industry's losses.

In the Boston case, Nesson is due to meet attorneys for the music
industry for a pretrial conference on Tuesday, ahead of a trial set for
December 1.

Entertainment attorney Jay Cooper, who specializes in music and
copyright issues at Los Angeles-based Greenberg Traurig, is convinced
that Nesson will not persuade the federal court to strike down the
copyright law. He said the statutory damages it awards enable recording
companies to get compensation in cases where it is difficult to prove
actual damages.

The record companies have echoed that line of defense. In court filings
in Tenenbaum's case, they contend that the damages allowed by the law
are "intended not only to compensate the copyright owner, but also to
punish the infringer (and) deter other potential infringers".

But are these lawsuits the only way the record industry could deter
piracy? Nesson believes the industry could develop new ways to prevent
copyright material from being shared illegally. One idea would be to
bundle music with ads and post it for free online, he says.

"There are alternative ways", he said, "of packaging entertainment to
return revenue to artists".

___

On the Net:

Harvard's Berkman Center for Internet and Society:
http://cyber.law.harvard.edu 

Ray Beckerman's blog: http://recordingindustryvspeople.blogspot.com 

The Recording Industry Association of America on music piracy:
http://www.riaa.com/physicalpiracy.php 


http://tech.yahoo.com/news/ap/20081116/ap_on_hi_te/tec_music_downloading_1 





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