http://chronicle.com/article/Something-for-Nothing/129468/
October 23, 2011
'Something for Nothing'

By Kacie Glenn

David Fox's life is not working out as planned. During his college 
years, the path ahead seemed clear: graduate with honors, obtain 
Ph.D. at a prestigious institution, accept tenure-track position 
in large metropolitan area.

But with his doctorate in hand, David finds himself stuck in 
Knittersville, N.Y., with a one-year appointment at 
undistinguished Kester College. He's deflated by the dismal job 
market, intimidated by his colleagues in the economics department, 
overwhelmed by his teaching duties, desperate to morph his 
dissertation into something publishable, and tempted by a 
voluptuous thesis advisee—all as he suffers the indignity of 
living in a town that is "not Manhattan" in every possible way.

A duller-sounding place than Knittersville never was—because it's 
fictional. So is Kester College, and so is David Fox, which 
considerably raises his chances of landing flyover interviews and 
getting embroiled in academic intrigue. David is the protagonist 
of Something for Nothing (MIT Press), a novel by Michael W. Klein, 
who is a professor of international economic affairs at Tufts 
University.

David's prospects improve when he receives an e-mail from the 
Center to Research Opportunities for a Spiritual Society (Cross), 
a right-wing organization seeking to promote scholarship that 
supports an evangelical-Christian agenda. Its director, Bill 
Crocker, is interested in publishing and publicizing a 
long-forgotten graduate paper of David's called "Something for 
Nothing." The paper shows the success of a high-school abstinence 
program in lowering teen-pregnancy rates and raising academic 
achievement.

David—who is liberal, Jewish, and no fan of abstinence—worries 
about the social ramifications, but not so much that he insists on 
a toned-down interpretation of the paper's results. After all, the 
benefits are sweet: With the news coverage come respect and clout, 
along with better chances at a tenure-track job. So, against his 
better judgment, he keeps his head down and mouth shut, at least 
until things start to unravel.

Economics and academe permeate the novel. Klein's prose reflects a 
scholarly attention to detail; for example, he includes e-mail 
correspondence from job committees and a transcript of David's 
ill-fated interview on a conservative radio show. Like any good 
economist, David weighs the costs and benefits of every choice, 
whether it involves his paper for Cross, his dealings with the 
attractive advisee, or his shirt/tie combination on the first day 
of class.
Enlarge Image An Economist's Own Opportunity Cost 2

So how much of Klein's book is autobiographical? "I never had any 
of my work promoted by a think tank (right-wing or other), I was 
never interviewed on a right-wing talk show, and I never came 
close to having an affair with a student," responds the author in 
an e-mail. "That said, I found it easy and fun to draw on my 
quarter-century in academia to inform the novel—things like the 
anxiety facing professors before the first class of the semester, 
the seating patterns of students, the way professors have to 
self-organize their days, and the challenges of the job market."

The author is on leave from Tufts, serving as chief economist in 
the Office of International Affairs at the Treasury Department. 
Although none of his characters work in government, all are to 
some extent driven by politics. Their heated conflicts reflect the 
country's changing climate, Klein notes.

He writes smoothly and precisely, with an undercurrent of quiet 
humor. That humor is never more successful than when it takes aim 
at the rituals of academe. David's explanation of scholarly 
publication brings little enlightenment to his family at 
Thanksgiving: "There was a collective sense of bewilderment at 
this; why spend all your time writing articles that were only 
reluctantly accepted for magazines that people didn't want to 
read? And for a job that really didn't pay that well and kept you 
in some little nebishe town?" (Later, when David modestly refers 
to a mainstream article mentioning his work, his mother exclaims, 
"Not a big deal? David, people in hotels all over the country read 
USA Today.")

Novel-writing came naturally to Klein: "I started out college as 
an English major, but after my first economics class (and a 
star-crossed class on Shakespeare), I decided to put comparative 
advantage to use. Then, one morning in April 2007, I woke up with 
the first line of the novel in my head. I woke the next morning 
with the title. That weekend, I spent Sunday afternoon working out 
the plot, writing my ideas in a black-speckled notebook." Even the 
timing of Klein's inspiration fell in serendipitously with his 
responsibilities at Tufts: "Once the semester ended, I decided to 
devote myself full time to the novel. The first draft only took 
seven weeks. ... The whole process felt surprisingly similar to 
writing a research paper, something I had not at all anticipated."

Perhaps Klein's overlapping roles of scholar and writer 
contributed to the novel's themes as well as its plot. The lesson 
of Something for Nothing is one of reason and restraint. The 
book's villains are its ideological extremists: Bill Crocker, an 
ex-tobacco-industry smooth talker who believes that moral 
principles should trump economic ones, and Randolph Carlson, a 
professor of sociology who teaches a course called "Threats to 
Liberty" and likes to accuse everyone and anyone of supporting 
capitalist greed. It's the diligent, truth-seeking economists we 
root for, even when they blunder.
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