Thank you. I'm going to read it and reply when time allows. 

Here's something I keep remembering. It's Rilke, "Torso of an Archaic Apollo." 

Never will we know his fabulous head 
where the eyes' apples slowly ripened. Yet 
his torso glows: a candelabrum set 
before his gaze which is pushed back and hid, 



restrained and shining. Else the curving breast 
could not thus blind you, nor through the soft turn 
of the loins could this smile easily have passed 
into the bright groins where the genitals burned. 




Else stood this stone a fragment and defaced, 
with lucent body from the shoulders falling, 
too short, not gleaming like a lion's fell; 




nor would this star have shaken the shackles off, 
bursting with light, until there is no place 
that does not see you. You must change your life. 




The other absolute classic on the importance of art is Schiller's "Letters on 
the Aesthetic Education of Man." 




Thanks again, 




Joanna 


----- Original Message -----
h/t threequarksdaily.com 


Yes, I know that this does not belong on pen-l; but economists may want to 
consider what the University will be like once the Humanities are eviscerated. 


http://www.bostonreview.net/BR37.4/elaine_scarry_poetry_literature_reading_empathy_ethics.php
 

Poetry Changed the World 
Injury and the Ethics of Reading Elaine Scarry 

By “empathy” Hunt and Pinker—rightly in my view—mean not the capacity of 
literature to make us feel compassion for a fictional being (though literature 
certainly does this), but rather the capacity of literature to exercise and 
reinforce our recognition that there are other points of view in the world, and 
to make this recognition a powerful mental habit. If this recognition occurs in 
a large enough population, then a law against injuring others can be passed, 
after which the prohibition it expresses becomes freestanding and independent 
of sensibility. 6 Literature says: “Imagine Pamela, and her right to be free of 
injury will become self-evident to you.” The laws say: “We are not interested 
in your imaginative abilities or disabilities; whether or not you can imagine 
Pamela, you are prohibited from injuring her.” 
*** 
beauty interrupts and gives us sudden relief from our own minds. Iris Murdoch 
says we undergo “an unselfing” in the presence of a beautiful thing; 
“self-preoccupation” and worries on one’s own behalf abruptly fall away. Simone 
Weil refers to this phenomenon as a “radical decentering.” I call it an 
“opiated adjacency,” an awkward term but one which reminds us that there are 
many things in life that make us feel acute pleasure (opiated) and many things 
in life that make us feel sidelined, but there is almost nothing—except 
beauty—that does the two simultaneously. Feeling acute pleasure at finding 
oneself on the margins is a first step in working toward fairness. 31 
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