NY Times November 11, 2012
Television Review
Not the Standard Textbook Tales
By ALESSANDRA STANLEY

The title alone is easy to scoff at. “Oliver Stone’s Untold History of 
the United States” sounds almost like a parody, a sendup of that 
filmmaker’s love of bombast and right-wing conspiracy. This documentary 
series, beginning Monday on Showtime, isn’t a joke, though some may find 
it laughable. It’s deadly serious but also straightforward: a 10-part 
indictment of the United States that doesn’t pretend to be evenhanded.

The series doesn’t focus extensively on many of the things the United 
States has done right, Mr. Stone and the historian Peter Kuznick write 
in the introduction to their similarly titled companion book. It is more 
concerned with focusing a spotlight on what America has done wrong.

And that’s fair enough. There are plenty of documentaries that celebrate 
American exceptionalism. There should be room in today’s vast television 
landscape for a series that points out the exceptionable. And Mr. Stone, 
the director of “Platoon,” “Wall Street” and “J. F. K.,” is an 
all-too-eager cicerone: a dramatist of truth who tramples facts to spin 
alternative histories that may be grandiose and grotesque but can 
sometimes have a hint of grandeur.

In this reworking of the past Henry A. Wallace, the progressive who was 
vice president during Franklin D. Roosevelt’s third term, is puffed up 
as a greater hero than Roosevelt and Churchill. Stalin was bad, but 
Truman was just awful.

It’s too easy to focus on what Mr. Stone does wrong; it’s also useful to 
focus a spotlight on what he gets right. And in all the overblown 
rhetoric and self-righteous hyperbole (Mr. Stone is his own narrator) 
accuracy is sometimes hard to find.

The first four episodes made available to critics focus on World War II 
and the cold war, but the series, like the book, spans World War I to 
the Obama administration. President Obama, in Mr. Stone’s 
interpretation, isn’t really any better than Woodrow Wilson or George W. 
Bush: someone who took a bad situation and made it worse by selling out 
to “Wall Street funders with deep pockets.”

But Mr. Stone’s most pressing obsession is the atomic bomb and the cold 
war, which in this telling are the roots of all American foreign policy 
and the answer to what seems to be Mr. Stone’s unspoken question: “Why 
was I in Vietnam?”

Along the way he raises some valid points, notably that Americans too 
easily overlook the Soviet contribution in waging and winning World War 
II. Steven Spielberg and his ilk popularize the greatest generation and 
D-Day and other hard-won American victories, whereas the Russian film 
world has yet to produce a Slavic equivalent that could move an 
international audience. There is no “Band of Comrades” or “Saving 
Private Ivan.” What happened in Russia between 1941 and 1945 has mostly 
stayed in Russia.

“Untold History” makes the point that while fewer than a half-million 
Americans died in World War II, Mr. Stone says that as many as 27 
million Soviets, military and civilian, lost their lives, though he 
doesn’t factor in how many of those were killed by Stalin’s repression. 
Different historians put that figure at anywhere from under a million to 
over five million.

Mr. Stone pays as much attention to Operation Barbarossa as Pearl 
Harbor, and shows archival material not just from Normandy and Iwo Jima 
but also the Battle of Stalingrad, the German invasion of Ukraine and 
other calamities of war.

Almost all war documentaries find room for clips from Frank Capra movies 
and works of propaganda, and so does this one. Mr. Stone also includes a 
less familiar newsreel clip of Shostakovich after he composed the 
Seventh Symphony, which became a hymn to the Siege of Leningrad.

Mr. Stone makes no mention of how Shostakovich was stifled, but he 
doesn’t overlook Stalin’s atrocities, including the 1940 massacre of 
Polish officers at Katyn. More often, however, he positions Stalin as a 
victim of British and American mistrust and double-dealing, a brutal 
tyrant forced to be his worst self because his Western allies didn’t do 
right by him.

And Truman, in this iteration, is the bigger villain, a hick and a bully 
who — pushed by a cabal of right-wing, racist party hacks — unfairly 
took the place of Wallace on the 1944 Democratic ticket and who was 
persuaded by those same conspirators to drop the atomic bomb on Japan. 
Their real motive was not to end the war and save American lives, Mr. 
Stone argues, but to deprive the Soviet Union of victory and its spoils 
in the Far East and to scare Stalin into submission.

Mr. Stone is not the first to argue that Japan was ready to give up 
before Hiroshima, and that it was the Soviet invasion of Manchuria that 
caused Emperor Hirohito to surrender (though he didn’t surrender until 
after Nagasaki). Mr. Stone takes pride in calling his version of the 
past an “untold” story, but actually that same thesis was presented on 
American television in two documentaries on the 50th anniversary of 
Hiroshima, one a British-Japanese production on A&E and History, the 
other an ABC News special.

Mr. Stone brings a more stentorian absolutism, leaving no room for doubt 
or nuance. He doesn’t allow for the idea that both versions could 
coexist, that the Soviet invasion of Manchuria was one of several 
factors, along with the two atomic bombings, that finally did the trick. 
He is among those true disbelievers who cannot accept that a course of 
action can be both unforgivably awful and apparently necessary, given 
the facts known at the time. Instead, he doubles down on his passionate 
indignation.

“Despite his denials,” Mr. Stone intones about Truman, “his flawed and 
tragic decision to use the bomb against Japan was meant instead as a 
ruthless and deeply unnecessary warning that the United States could be 
unrestrained by humanitarian considerations in using these same bombs 
against the Soviet Union.”

In this “Untold History” Hiroshima, the cold war, Vietnam, Iraq — none 
of that would have happened if Wallace had become president in 1945. 
What a wonderful world this would be.

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