NY Times December 11, 2013
New Film, ‘Out of the Furnace,’ Accused of Stereotyping Ramapough Indians
By COREY KILGANNON

MAHWAH, N.J. — The past week has been unsettling for the Ramapough 
Mountain Indians, who live on this northern stretch of the Appalachian 
Mountains that overlooks the Manhattan skyline and wealthy parts of 
Bergen County. The new movie “Out of the Furnace,” featuring a 
star-studded cast that includes Christian Bale and Woody Harrelson, also 
features numerous negative references to the Ramapoughs. They include a 
fight-ring subplot.

Keith Van Dunk, 27, a member of the tribe, took a break from feeding the 
chickens at his father’s house up on Stag Hill here on Sunday morning 
and gestured at the surrounding woods.

“You see any fight ring up here?” he said. “Absolutely not.”

Tribal leaders and local elected officials held a news conference last 
week, speaking out against a film that they claim portrays them as 
trashy backwoods bumpkins involved in drugs and violence. One Ramapough 
henchman in the movie even bears Mr. Van Dunk’s last name.

The references constitute a “hate crime” that has “stained the community 
and stirred up animus” by increasing marginalization and stigmatization, 
said the Ramapoughs’ chief, Dwaine C. Perry, 66, in an interview.

In the past few days, he said, there had been several instances of 
Ramapough students in local high schools being picked on by classmates 
who had seen the film, including one case in which a teacher had to 
intervene.

At a showing of the movie last weekend, someone hurled slurs at a 
Ramapough woman in the theater, he said. There was also a fight at a 
local mall that tribal members said was stirred up by the film.

“The film contains ugly stereotypes that stain you for life,” Chief 
Perry said. “The undertones are racist and personal. It’s a hate crime 
when you look at the psychological impact on the kids.”

Contacted for comment, the film’s production company, Relativity Media, 
released a statement saying that the film is “entirely fictional” and 
not “based upon any particular person or group of people.”

“As is the case with most films, the filmmakers conducted research and 
drew upon their own personal life experiences in creating an original 
screenplay, and the story and the characters are entirely fictional,” 
the statement read.

Scott Cooper, who directed the film and co-wrote the script, was 
unavailable for comment Wednesday night. But a Relativity Media 
spokesman said that John Fetterman, mayor of Braddock, Pa. — the other 
main setting in the film — had nothing but praise for the way the movie 
portrayed Braddock. Mr. Fetterman called it a respectful depiction that 
was “eloquent, forceful and honest,” in a guest column he wrote for 
Variety magazine.

Several characters in the film have last names that are prevalent 
Ramapough names, including De Groat and Mann. The film was not shot in 
the area, but the Bergen County Police Department is portrayed as the 
local authority.

Mr. Van Dunk said he refused to buy a ticket to the film, but he 
consulted the IMDB website and saw that several cast members were listed 
as “Jackson White.”

The term “Jackson White” is a slur used by outsiders to deride the 
Ramapoughs, Mr. Van Dunk said, referencing the tribe’s descent from 
Native Americans, whites and runaway slaves who settled in the mountains 
in the late 18th century. The term dredges up decades of a long, ugly 
history of discrimination and marginalization.

“To me, it’s like calling a black person the N-word, and my father is 
black,” said Mr. Van Dunk, who works for a moving company in Hackensack. 
“In high school, kids would call me a Jackson White in the hallway, and 
if I stuck up for myself, they’d say I’m living up to the stereotype.”

Before the opening of the film, which was the third-grossing film in the 
country last weekend, The New York Post published an article saying that 
it depicts the Ramapoughs as “New Jersey hillbillies.” The article 
characterized tribe members as unsophisticated, intermarrying types who 
are ridiculed, who hunt and eat squirrels, and who drive all-terrain 
vehicles on dirt roads.

“After reading in The Post about the Ramapoughs being a bunch of 
hillbillies eating squirrels, I drove into Manhattan the first night it 
opened to see the film for myself,” said Mahwah Mayor William C. 
Laforet. He added that a mine depicted in the film appears to be modeled 
on the local Abex foundry, now shuttered.

“There are numerous connections, factual and implied, and now the 
producers are backpedaling and saying it’s fictional,” Mr. Laforet said. 
“It’s unfair to the folks on the mountain to resurrect those 
stereotypes. It’s a disgraceful depiction of that community.”

The mayor also said he feared the fight-club element would lead 
teenagers to test Ramapough children. Local school officials have been 
“keenly sensitive” to watching for discrimination against students from 
Ramapough families in the wake of the film, he said, stepping up what 
has already been a “zero tolerance policy” in recent years regarding 
discrimination against Ramapough children.

The mayor said he feared the film could add to the longstanding problem 
of young people driving to Mahwah to take joy rides on the roads of Stag 
Mountain.

“It’s going to bring outsiders to the mountain looking for some Wild 
West,” he said. “This isn’t the backwoods of Kentucky — it’s within 
eyeshot of New York City.”

The Ramapough people trace their roots back thousands of years to the 
Lenape tribe. Now there are perhaps 5,000 members living in mountainous 
areas around the border with New York.

For a group long known as “mountain people,” the film is another in a 
long line of indignities, which include a lack of federal recognition as 
a tribe, despite gaining official recognition decades ago from New York 
and New Jersey.

There was the humiliation a few years back of becoming the butt of 
late-night jokes, after the Ramapoughs’ practice of hunting and eating 
squirrels drew governmental warnings regarding lead levels in squirrels 
at a local Superfund site. Then there was the unusually high level of 
health problems that tribal members connected to toxin dumping by the 
Ford Motor Company. When the tribe wanted to apply for a casino permit, 
even Donald Trump joined the fight against it.

Regarding the influx of joy riders, Elmore Wilson, a tribal member who 
lives on Stag Hill, said they had been on the increase.

“One of them just busted my windshield,” said Mr. Wilson, 54, as he 
stood on his front lawn on Sunday with his son, Michael Wilson, 24, near 
the tribal headquarters. Elmore Wilson, a security guard at Ramapo 
College, said he sat Michael down years ago and gave him the Ramapough 
facts of life.

“I told him, ‘This is what you’re going to be facing because of where we 
live,’ ” he recounted. “You’re going to hear we’re a bunch of inbreds, 
all kinds of stuff. You just got to let it roll off your back.”

Nicole Ginsburg, 21, who works the counter at Jersey Boys pizza parlor 
at the foot of Stag Hill, said some local residents made fun of the 
Ramapough members as banjo-playing hillbillies.

“Some of the Mahwah kids call them inbred,” she said. “One kid said, 
‘Oh, you don’t want to bump into a Jackson White up there.’ ”

As for Mr. Van Dunk, before returning to his chickens, he said he was 
rethinking his future.

“Right now, my pride keeps me here, but I guess I’ll have to move as my 
kids get older,” he said. “I don’t want them growing up with people 
looking at them funny.”


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