Scheduled for theatrical release this month, Nuri Bilge Ceylan’s “Climates” returns once again to the preoccupations of his first two films–”Clouds of May” and “Distant”–namely the anomie of Turkish artists and intellectuals. Borrowing from Antonioni, Ceylan move through a silent and chilly world punctuated by exchanges between characters who are incapable of true communication. As an objective correlative of the main characters’ mental states, “Climates” and “Distant” make heavy use of snowfall. These are obviously not easy films to warm up to but ones that satisfy on another level. As a psychological examination of Turkey’s educated petty bourgeoisie rendered in world-class cinematography, Ceylan’s films are first-rate.

full: http://louisproyect.wordpress.com/2006/10/19/climates/

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