Eric,

in Europe we know about the WARM AIR TREATMENT with controlled humidity over 20 
years with the two companies „Thermo Lignum“ and „IRT-Lippstadt“ from Germany 
and England.

They are using WARM AIR in different Museums and Historic Houses with mobile 
and stationary chambers.
You could treat different types of materials like wood or textiles, if they are 
thermo-stabile. But there are also limits like Modern Art, with different 
„mixed“ materials and unknown colors.
Damages could happen, if you don‘t have enough experience and the right 
technology.

You will find some literature at the Proccedings of the Pest Odyssee Conference 
in London 2001 and 2011.

Regards
Stephan


Stephan Biebl
Expert for IPM and Wood Preservation

Ingenieurbüro für Holzschutz
83671 Benediktbeuern
GERMANY
www.holzwurmfluesterer.de<http://www.holzwurmfluesterer.de>

Am 26.10.2018 um 18:39 schrieb Breitung, Eric 
<[email protected]<mailto:[email protected]>>:

Does anyone on the list have experience using heat treatments for pest 
eradication on or near art?  Have you controlled the humidity during the 
process?  Have you used the Thermo Lignum system?

I work at the Metropolitan Museum of Art, and we are considering our options 
for the design of a freezer system for treating art.  We are debating having 
heat treatment as a 2nd option and would like to hear from anyone with 
experience using heat to treat art or even non-art, like pallets and crates.

I’ve seen the information that is available on 
museumpests.net<http://museumpests.net> already, so no need to reiterate the 
potential risks to art, speed of the process, or literature covering 
temperatures and durations needed.  I’m interested in hearing about your 
experience with the process, whether humidity was controlled, what temperatures 
you tend to use, whether damage was observed, and whether the treatments were 
successful in extinguishing all phases of life.
Essentially, if you would be willing to discuss your process and experience 
with me or the group, I would be grateful.

Thank you kindly,
Eric Breitung



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