Thank you Stephan, yes you’re absolutely right – its incredible that methyl 
bromide is still advocated for use here… We have only had to use it once in my 
20 yrs working at my institution, and hopefully never again.

Unfortunately I don’t have access to my usual folder of research (the joys of 
working from home), but the MFA sum it up here about methyl bromide interacting 
with wool, leather, feathers etc - http://cameo.mfa.org/wiki/Methyl_bromide - 
The one time I used methyl bromide was for bamboo and timber works with some 
feather decoration – we decided the feathers could be sacrificed if they were 
damaged by the gas (as the artist was happy to replace them), but as it turned 
out no damage was noted after treatment with methyl bromide.

That’s a good suggestion about raising the temperature to speed up the 
low-oxygen/nitrogen treatment, however our tent system isnt going to be big 
enough and making enclosures for all of these works (5 objects up to 10m wide) 
isn’t possible.

It’s a tricky thing to balance out the issues of short time frame, potential 
damage to artwork from the treatment, and few options… So yes, hoping for real 
experiences of damage, to help make a decision … if we do get a directive to 
treat.

Thank you for your help,
Suzi

Suzi Shaw
Conservator, Frames and Furniture 

National Gallery of Victoria
180 St Kilda Road Melbourne VIC 3004
T: +61 3 8620 2123 F: +61 3 8620 2555 M: 
NGV.MELBOURNE

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From: [email protected] <[email protected]> On Behalf Of 
Stephan Biebl
Sent: Monday, 6 July 2020 4:34 PM
To: [email protected]
Subject: [PestList] AW: Risks to artwork materials from methyl bromide or 
freezing - options


Hi Suzi,
you mean, that MB could do damage also to proteins?  Where have you read about 
it (e.g. scientific list)?
Unger und Reichmuth (1992) found some changes of pigments after fumigation with 
high moisture. Some influences could found with metal (silver, lead) or 
sulphurous materials, like leather. On the other side, this gas was used over 
many years in european churches against furniture beetles without visual 
damages on different materials.
I am always wondering, that MB is not banned completely in the world. Since 
early 2000s it was phased out in Europe and many other countries till 2017 
(USA). Only Australia, NZ keep on using it for quarantine. But sulfuryfluoride 
gas as replacement could make damages also on metal or pigments, if its not 
cleaned with filters.
Freezing will be the pesticide-free alternative, if you look at the right 
conditions.  Or low oxygen treatment with higher temperature (up 25 C) to 
shorten the treatment time. Maybe Alex Roach from Australia could help you?
Best, Stephan
Germany


Von: [email protected]<mailto:[email protected]> 
<[email protected]<mailto:[email protected]>> Im Auftrag von 
Suzi Shaw
Gesendet: Montag, 6. Juli 2020 05:51
An: [email protected]<mailto:[email protected]>
Betreff: [PestList] Risks to artwork materials from methyl bromide or freezing 
- options

Hi all,

I hope you’re all faring as best as can be during this challenging time.

We have some large sculptural furniture (varying from 2-10 metres) items being 
shipped from South Africa to here in Melbourne, Australia, and we are trying to 
plan for potential pest issues and possible quarantine directives. They 
comprise of a metal framework, with stretched and stitched leather, woollen 
cord made into essentially a deep-pile carpet, recycled plastic components, and 
various padding materials. Historically our government quarantine department 
usually advocate methyl bromide for pest treatments, and we will often acquire 
permission to use our low-oxygen/nitrogen system to treat works instead to 
limit any damage the gas can do to proteins (as we’ve read about). However in 
this case we wont have enough room or time prior to display to be able to use 
this treatment method.

Our other option then would be to freeze the works, but this has potential 
risks too with the stretched leather, and that they may not be able to be 
prepared for freezing as we normally would (wrapping in plastic with buffering 
material, packing out airspaces etc). The institution we normally use for 
freezing large objects may not have space available, so we’d also need to 
consider off-site commercial freezing. To my knowledge we don’t have any heat 
treating facilities here and have no experience using them.

Would anyone have any suggestions of alternatives or experience of damage 
they’ve seen from methyl bromide to artworks, or freezing of stretched 
leathers? I’m trying to work out what treatment method may present the least 
risk of damage, with ideally an approx two week turnaround, if we are obliged 
to treat the works under a quarantine directive.

With thanks for any advice you can offer,
Suzi

Suzi Shaw
Conservator, Frames and Furniture

National Gallery of Victoria
180 St Kilda Road Melbourne VIC 3004
T: +61 3 8620 2123
F: +61 3 8620 2555

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