Thanks Jeff, no not yet – I’ve had a lot of free advice from Alex recently 
about other projects, so thought I would ask here first 😊

Suzi Shaw
Conservator, Frames and Furniture 

National Gallery of Victoria
180 St Kilda Road Melbourne VIC 3004
T: +61 3 8620 2123 F: +61 3 8620 2555 M: 
NGV.MELBOURNE

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From: [email protected] <[email protected]> On Behalf Of 
Jeffrey Fox
Sent: Monday, 6 July 2020 5:54 PM
To: [email protected]
Subject: [PestList] Re: Risks to artwork materials from methyl bromide or 
freezing - options

Hi Suzi,
Have you had a chat with Alex Roach from Modified Atmospheres here in Sydney? 
He might be able to provide some effective alternatives.
Regards,
Jeff
Get Outlook for Android<https://aka.ms/ghei36>

________________________________
From: [email protected] <[email protected]> on behalf of Suzi 
Shaw <[email protected]>
Sent: Monday, July 6, 2020 1:50:40 PM
To: [email protected] <[email protected]>
Subject: [PestList] Risks to artwork materials from methyl bromide or freezing 
- options


Hi all,



I hope you’re all faring as best as can be during this challenging time.



We have some large sculptural furniture (varying from 2-10 metres) items being 
shipped from South Africa to here in Melbourne, Australia, and we are trying to 
plan for potential pest issues and possible quarantine directives. They 
comprise of a metal framework, with stretched and stitched leather, woollen 
cord made into essentially a deep-pile carpet, recycled plastic components, and 
various padding materials. Historically our government quarantine department 
usually advocate methyl bromide for pest treatments, and we will often acquire 
permission to use our low-oxygen/nitrogen system to treat works instead to 
limit any damage the gas can do to proteins (as we’ve read about). However in 
this case we wont have enough room or time prior to display to be able to use 
this treatment method.



Our other option then would be to freeze the works, but this has potential 
risks too with the stretched leather, and that they may not be able to be 
prepared for freezing as we normally would (wrapping in plastic with buffering 
material, packing out airspaces etc). The institution we normally use for 
freezing large objects may not have space available, so we’d also need to 
consider off-site commercial freezing. To my knowledge we don’t have any heat 
treating facilities here and have no experience using them.



Would anyone have any suggestions of alternatives or experience of damage 
they’ve seen from methyl bromide to artworks, or freezing of stretched 
leathers? I’m trying to work out what treatment method may present the least 
risk of damage, with ideally an approx two week turnaround, if we are obliged 
to treat the works under a quarantine directive.



With thanks for any advice you can offer,

Suzi

Suzi Shaw
Conservator, Frames and Furniture

National Gallery of Victoria
180 St Kilda Road Melbourne VIC 3004
T: +61 3 8620 2123
F: +61 3 8620 2555

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