All the machines were front mount as I listed before.  But Seaman and
Zonophone were trying to respond to the Victor rigid arm and tapering tone
arm as well.  So, near the end of Seamans tenure, there were the early
versions of rear mount models as well.  However, there seams to be some
confusion or lack of documentation as to whether it was actually Seaman or
Johnson (Victor) who started to convert Zonophone models over to the rear
mount design.

But, it is safe to say that the early versions of the rear mount Zonophones
are of Zono design thru and thru. These early rear mount machines were
patterned from the front mount Concert, Concert Grand, and Grand Opera.  All
had metal bedplates and typical Zonophone detailing.

The "Victorized" versions of rear mount machines started to filter into the
market during the couple of years following Victor's buyout.

Mark


----- Original Message ----- 
From: "Robert Plavzic" <[email protected]>
To: <[email protected]>
Sent: Saturday, February 21, 2004 5:48 AM
Subject: [Phono-L] Zonophone Page


> Hello
>
> As threatened, a page to present an overview of Zonophone models. I got
the
> pic of the Black Zonophone, which I think is very smart. I hope that the
> Company history is accurate, & would welcome corrections if there are
> inaccuracies.
>
> The unknown (No.1) I have seen many times but don't know which model it is
> (don't laugh), and  the No.2 may be a bit more uncommon.
>
> Any other photo's with descriptions are much appreciated
>
> its at www.zonophone.netfirms.com
>
> thanks
>
> Robert
>
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